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I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Imagine
Identify
People
Photographer
Object
Picture
Appreciate
Objects
Rectangle
Afraid
Rectangles
Middle
Appreciating

More quotes by William Eggleston

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Only the few times I've been to so-called treatment centers, which were a complete waste of money and useless. I didn't know what I was doing at the time, because I was always drunk when I checked in.
William Eggleston
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I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
William Eggleston
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I don't think that has ever changed. I don't think I see any more or any less than I did years ago. Let's say I have the print of a photo taken in the 1960s and one I took a month ago. I think it's pretty difficult to tell any difference, personally.
William Eggleston
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It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.
William Eggleston
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I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
William Eggleston
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A person can attack that bottle of vodka and drink it like it's a bottle of cold water. Two of my wife's girlfriends died from drinking. They weren't big pill-takers they were drinkers. So it can't be so simple as to slide away, like Marilyn Monroe.
William Eggleston
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There's plenty of film out there, and quadrillions of cameras that use film - I don't think it makes much sense not to use it. The thing that's going out is the manufacturing of the paper. Incidentally, all these years my wife has told me that I'm color-blind.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
William Eggleston
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There are a lot of unseen projects. When a project is finished, I often physically, and in my mind, set it aside, intending something to happen with it, something that does or does not always happen. Now, a lot of these are being resurrected for the public.
William Eggleston
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
William Eggleston
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I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
William Eggleston
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I knew it was happening, but I never paid much attention to it . . . just to the passage of time. Something new always slowly changes right in front of your eyes - it just happens.
William Eggleston
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I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I've said this before, I think I could really photograph blind if I had to.
William Eggleston
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I don't look at other photographs much at all. I don't know why. I study my own a lot.
William Eggleston
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Photography just gets us out of the house.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston