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I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
People
Photographer
Object
Picture
Appreciate
Objects
Rectangle
Afraid
Rectangles
Middle
Appreciating
Imagine
Identify

More quotes by William Eggleston

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Unfortunately they're practically all dead. And many were my closest associates: friends, co-directors, whatever you want to say - my partners in crime.
William Eggleston
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You can take a good picture of anything. A bad one, too.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
William Eggleston
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I don't like reading music. It's like learning a language. You can't read music proficiently overnight. It takes time, it's boring work.
William Eggleston
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I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
William Eggleston
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I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.
William Eggleston
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I like to photograph democratically.
William Eggleston
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston
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You become technically proficient whether you want to or not, the more you take pictures.
William Eggleston
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I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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I have some that I have become a well-known-even infamous-client of, mostly in Memphis. But a great deal of that is legend and doesn't have anything to do with truth.
William Eggleston
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Half voluntarily, half Winston's older brother [William] would take me in, saying, Daddy, I think you oughta do this. And I'd say, I think you're right, maybe I do need it. Sometimes a week later I'd leave the place sometimes I'd stick it out for a month.
William Eggleston
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I quite frequently don't look through the camera, which is very close to being blind.
William Eggleston
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Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music.
William Eggleston
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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There are a lot of unseen projects. When a project is finished, I often physically, and in my mind, set it aside, intending something to happen with it, something that does or does not always happen. Now, a lot of these are being resurrected for the public.
William Eggleston
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We have a few things in common - smoking, drinking, and women. Photography just gets us out of the house. (To photographer Juergen Teller)
William Eggleston