Quote

You can take a good picture of anything. A bad one, too.

William Eggleston

Change background

T
T
T

Change font

TAGS & TOPICS

William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Good
Photographer
Picture
Anything
Take

More quotes by William Eggleston

Image
I have some that I have become a well-known-even infamous-client of, mostly in Memphis. But a great deal of that is legend and doesn't have anything to do with truth.
William Eggleston
Image
I like to photograph democratically.
William Eggleston
Image
I don't look at other photographs much at all. I don't know why. I study my own a lot.
William Eggleston
Image
I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
William Eggleston
Image
I quite frequently don't look through the camera, which is very close to being blind.
William Eggleston
Image
I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
William Eggleston
Image
I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
William Eggleston
Image
I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
William Eggleston
Image
I don't like reading music. It's like learning a language. You can't read music proficiently overnight. It takes time, it's boring work.
William Eggleston
Image
I don't think that has ever changed. I don't think I see any more or any less than I did years ago. Let's say I have the print of a photo taken in the 1960s and one I took a month ago. I think it's pretty difficult to tell any difference, personally.
William Eggleston
Image
It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.
William Eggleston
Image
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
Image
There is no particular reason to search for meaning.
William Eggleston
Image
I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.
William Eggleston
Image
I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.
William Eggleston
Image
Photography just gets us out of the house.
William Eggleston
Image
I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I've said this before, I think I could really photograph blind if I had to.
William Eggleston
Image
Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
William Eggleston
Image
Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston
Image
And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston