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It's amazing how sudden the effect is - it must be the result of a deep atavistic mating urge buried inside us. A glance and you think: 'Yes, this is the one, this one is right for me.' Every instinct in your body seems to sing in unison.

William Boyd

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William Boyd
Age: 72
Born: 1952
Born: March 7
Author
Film Director
Novelist
Screenwriter
Writer
Seattle
Washington
Right
Amazing
Glances
Must
Result
Urge
Every
Effects
Urges
Think
Deep
Sudden
Thinking
Inside
Buried
Atavistic
Results
Instinct
Mating
Seems
Effect
Unison
Body
Sing
Glance

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Humankind can tolerate only so much rejection.
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The last thing we ever learn about ourselves is our effect.
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We talked filth for a pleasant half hour.
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I have to start my real life soon, before I die of boredom and frustration.
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Is that a good definition of marking the ageing watershed? That moment when you realize - quite rationally, quite unemotionally - that the world in the not-so-distant future will not contain you: that the trees you planted will continue growing but you will not be there to see them.
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There's a sense in all my novels that nothing is certain.
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There is a disconnect between the film Bond and the literary Bond which is their contemporaneity. I don't suffer from that.
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To live as an artist requires hard work or some extraordinary good fortune to come your way.
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Do we change every time we have a new encounter? Are we endlessly mutable? I think these are fascinating questions: it's a rich vein to tap, and I don't think I have exhausted it fully yet.
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When you experience bereavement at a youngish age, you suddenly realise that life is unjust and unfair, that bad things will happen, and you have to take that on board.
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When it's mutual, a man and a woman know, instinctively, wordlessly. They may do nothing about it, but the knowledge of that shared desire is out there in the world - as obvious as neon, saying: I want you, I want you, I want you.
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We all possess, like it or not, the people we know, and are possessed by them in turn.
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I have this lock of hair that keeps falling across my forehead. It drives me mad.
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My novels are often about people who are in love or attracted to each other.
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We keep a journal to entrap that collection of selves that forms us, the individual human being.
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We never love anyone. Not really. We only love our idea of another person. It is some conception of our own that we love. We love ourselves, in fact.
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With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
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Film is a medium of clear lines and broad strikes - which can be fantastic - but compared to the subtleties and nuances of a novel, it doesn't even get close.
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I know many older writers who were very successful and whose books are now out of print, so you have to go to antiquarian booksellers to buy their fifth or eighth novel or whatever it is.
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In some ways, you could argue, television is doing far more interesting work than the movies. It's more fulfilling.
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