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My interest in desperation lies only in that sometimes I find myself having become desperate. Very seldom do I start out that way. I can see of course that, in the abstract, thinking and all activity is rather desperate.
Willem de Kooning
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Willem de Kooning
Age: 92 †
Born: 1904
Born: April 24
Died: 1997
Died: March 19
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Willem De Kooning
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More quotes by Willem de Kooning
I have to change to stay the same.
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Yes, I am influenced by everbody. But every time I put my hands in my pockets I find someone else's fingers there.
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I see the canvas and I begin... It's a necessary evil to get into the work, and it's pretty marvelous to be able to get out of it.
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Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
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What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
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The trouble with being poor is that it takes up all your time.
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If you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today.
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An artist is someone who makes art... He didn't invent it.
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Even abstract shapes must have a likeness
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The past does not influence me I influence it.
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Art should not have to be a certain way.
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Art never seems to make me peaceful or pure.
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Man's own form in space - his body - was a private prison and that it was because of this imprisoning misery - because he was hungry and overworked and went to a horrid place called home late at night in the rain, and his bones ached and his head was heavy.
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I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.
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And then there is that one-man movement, Marcel Duchamp for me a truly modern movement because it implies that each artist can do what he thinks he ought to a movement for each person and open for everybody.
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I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.
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Flesh was the reason why oil painting was invented
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The 'Women' had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light - all this silly talk about line, colour and form - because that was the thing I wanted to get hold of.
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The texture of experience is prior to everything else.
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I might work on a painting for a month, but it has too look like I painted it in a minute.
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