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Because I was a young man so, of course, I did get into fights. The last time I actually was in a fight, in the sense of throwing punches myself, was probably when I was at college, not since 1980. But I remember being attacked quite a few times in the '80s.

Will Self

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Will Self
Age: 63
Born: 1961
Born: September 26
Author
Journalist
Novelist
Science Fiction Writer
Writer
West London Infirmary
William Woodard Self
Time
Lasts
College
Last
Fight
Actually
Probably
Times
Quite
Sense
Courses
Punches
Remember
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Attacked
Young
Since
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Throwing

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Without a shadow of doubt, Trafalgar Square has to be one of the most crap urban public spaces in the world.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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As far as I can see, the history of experimental art in the twentieth century is intimately bound up with the experience of intoxification.
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There is something mysteriously powerful that can happen when young, inchoate minds come into contact with older and more worldly ones in a spirit of intellectual and creative endeavour - if I believed in progress, I suppose that's what I'd call it.
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To attempt to write seriously is always, I feel, to fail - the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short.
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Drug use and procrastination often go hand in tourniquet.
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I enjoy doing very high mileages, partly out of masochism and also because I like to feel the shape of the landscape.
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There can be no more thrilling idea of intimacy that connecting with someone through the agency of the written word. Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality. The reader I seek is a tautology, for he/she is simply exactly the person who wants to read what I have written...
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The cynics are correct the sense of freewill is only that feeling which we have when we take the necessitated option that most appeals to us.
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Ideologists of all kinds find a strange sort of comfort in the madness of the crowd it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.
Will Self
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I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign.
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This is the paradox for me: in failure alone is there any possibility of success. I don't think I'm alone in this - nor do I think it's an attitude that only prevails among people whose work is obviously creative.
Will Self
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In truth, even if they have an imperfect insight into their own methods, I still slightly mistrust writers of fiction who are assured literary critics it makes me suspect that they favour the word over the world it should describe. Such scribes fall victim too easily to the solecism of equating style with morality.
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Death, the real simile for disease - for when we are ill, do we not always feel like we are dying, even if it's only a little? - remains, despite our secularism, the most metaphoricised phenomenon of all.
Will Self
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You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.
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The high arts of literature and music stand in a curious relationship to one another, at once securely comfortable and deeply uneasy - rather like a long-term marriage.
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I think it's a misreading of Dostoevsky to think of him as a programmatic theist. He's actually much closer to someone like William James. He's actually a pragmatist.
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With spectacular events taking up so much of the available anxiety quotient, we need to be constantly reminded of the more workaday threats to our mortality - threats that, while they may also be functions of human error, have become so ubiquitous that we've begun to apprehend them as natural phenomena.
Will Self
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When anyone starts out to do something creative - especially if it seems a little unusual - they seek approval, often from those least inclined to give it. But a creative life cannot be sustained by approval, any more than it can be destroyed by criticism - you learn this as you go on.
Will Self
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In survey after survey, people report that the greatest dangers they face are, in this order: terrorist attack, plane crashes and nuclear accidents. This despite the fact that these three combined have killed fewer people in the past half-century than car accidents do in any given year.
Will Self