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The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.

Will Self

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Will Self
Age: 63
Born: 1961
Born: September 26
Author
Journalist
Novelist
Science Fiction Writer
Writer
West London Infirmary
William Woodard Self
Decade
Chunky
Decades
Implements
Looked
Typefaces
Design
Typography
Writing
Distinctly
Think
Rounded
Thinking
Overall
People
Seventies
Fattest

More quotes by Will Self

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The future continues to preoccupy me as a reliable source of hopes, fears and anxieties, but increasingly the present seems to have no outstanding qualities of its own, being merely a way-station through which events travel to the vast shadow lands of the past.
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A creative life cannot be sustained by approval, any more than it can be destroyed by criticism.
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When George VI - displaying a flair for timing that was utterly absent in his lifetime - upped and died, the way was clear for her to inhabit her logical position as the eminence cerise, the bolster behind the throne.
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Political activists of all stripes are usually a wacky bunch, and never more so than in a system like Britain's, where power is effected via the quiescence of the electorate as much as its convictions.
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Always carry a notebook. And I mean always.
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Why is Mr Universe always from Earth?
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I do have a fantasy life in which I can grout bathrooms - but not for a living.
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Once the working classes were in chains, now they're in chain restaurants.
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Some people have human muses - mine is a city. I feel a startling ambivalence towards London, but for better or worse my work has come utterly to depend upon it.
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Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't up to scratch.
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Life, it is true, can be grasped in all its confused futility merely by opening one's eyes and sitting passively, a spectator on the stands of history - but to understand the social processes and conflicts, the interplay between individual and group, even the physicality of human experience, we have need of small-scale models.
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I am a regular if not exactly enthusiastic patron of my local bookshop. I try to buy at least some books there because I cling to the belief that it's important to maintain those businesses which put a human face on the exchange of money for goods and services.
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Without a shadow of doubt, Trafalgar Square has to be one of the most crap urban public spaces in the world.
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The only proper suit-and-tie job I've had in my life was the two years in the late 1980s when I ran a small corporate publishing company. I even had a Ford Sierra!
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I'm going to end up like one of those old weirdos who lives in a network of tunnels burrowed through trash - yet I do not fear this.
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As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
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Drug use and procrastination often go hand in tourniquet.
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Here we meet, on the page, naked and unadorned: shorn of class, race, gender, sexual identity, age and nationality.
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In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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There is something mysteriously powerful that can happen when young, inchoate minds come into contact with older and more worldly ones in a spirit of intellectual and creative endeavour - if I believed in progress, I suppose that's what I'd call it.
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