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I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.

Will Oldham

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Will Oldham
Age: 53
Born: 1970
Born: December 24
Actor
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
Television Actor
Louisville
Kentucky
Joseph Will Oldham
Bonnie Prince Billy
Bonnie Prince Billy
Feel
Feels
Much
Physicality
Like
Occupy
Physically
Connected
Voice
Song

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It's definitely important to be open enough to seize an opportunity when the opportunity is there.
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For a long time I've walked through this world with the desire, like in Rear Window, to look into other people's lives because I know that there is a way in which I am the same as so many of the strangers that I see.
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I think that America in general is piratical. Every time we accept a paycheck for doing almost nothing, allowing us to live above the poverty line, we're engaging in piracy.
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To me, recordings are little fourth-dimension artifacts, because they already are representatives of past, present, and future, just inherently in their existence.
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I gathered all the different Peel Sessions recordings together - I did six or seven of them over the years - and listened to all of them. These definitely have at least a superficial relationship to each other because they're all very spare.
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A vocal performance “Coming Together” is hard, but it's the kind of hard that if you work hard enough at it, you can do it and it feels great, because it was so hard. So we'll continue maybe even over the next couple of years to perform that and to expand our collaborative repertoire.
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I'd like my records to reach as many people as possible, but I'm also thinking in terms of how I can keep from getting jaded or unhappy with the process.
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There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
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If I give a little hint or clue as to where my voice could be going, that would [be] read. Because people can listen closely, you know, you can sit with headphones or you just concentrate on music, you can just hear, sometimes, the desires of the voice itself.
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I think everybody works from a defensive position, for the most part, in the film industry.
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I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.
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It's nice to be able to backtrack and not be embarrassed by the music you used to listen to.
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I figure it's okay to make certain rules, whether or not people despise you for it at the time.
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People are looking for fame or a focus, and I can't provide that.
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I don't usually read reviews. I usually read the interviews, just because I figure it's a good way to try to do them better if I ever have to do them again.
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I think most great actors have their own life trajectory, the character motion doesn't have anything to do with their life motion.
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Whenever I see something that looks like it could be good - whether it's on vinyl, CD or cassette - if it's not too expensive, I'll take a chance.
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You're making something that won't be what it is until some unknown date in the future. All aspects of the personal disappear.
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The sense of waking up in the morning and knowing that there is music ahead of me in the day is such an incredible feeling. The more I engage with music the more days I wake up and know that that's what's going to be there, and the things that come with music.
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On days where I feel the karma is in balance I'm not afraid of death. And when I feel it's weighing heavily on the negative side, then I get very scared and just think about eternal damnation and how unpleasant that would be.
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