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Mr Michener, as timeless as a stack of 'National Geographics,' is the ultimate Summer Writer. Just as one goes back to the cottage in Maine, so one goes back to one's Michener.

Wilfrid Sheed

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Wilfrid Sheed
Age: 80 †
Born: 1930
Born: December 27
Died: 2011
Died: January 19
Novelist
London
England
Wilfrid John Joseph Sheed
Ultimate
Writer
Stack
Goes
Cottage
Justice
Cottages
Back
Maine
Timeless
National
Summer

More quotes by Wilfrid Sheed

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Books about suicide make lousy gifts.
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Saloons provide moments of genuine ecstasy - but only if your soul is at peace and the rest of your life bears contemplating. Otherwise, they are palaces of misery.
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The worse we treat people in this country, the more delicately we talk about them.
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Unnecessary customs live a brutally short life in America.
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How does one make a movie about decadence these days? Now that we're allowed to do it, it's too late.
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Even the God of Calvin never judged anyone as harshly as married couples judge each other.
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The actual Irish weather report is really a recording made in 1922, which no one has had occasion to change. Scattered showers, periods of sunshine.
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Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
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You noodle around with tempo and sound until you get the perfect fit for that particular song, and then, so long as you can sustain it, God is on your side and everything comes easily and even the waiters smile.
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Suicide is about life, being in fact the sincerest form of criticism life gets.
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As things now stand, the office is a slightly meaner battleground than the home. Male bosses seem to dominate their women underlings as they would never dominate their wives.
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For now, I'm supposing that all movements are equal, which they're not, except in this respect: that none of them gives a damn about artists beyond their immediate utility. Good movements will use a writer just as ruthlessly as bad ones since they all fancy they have better things to do than worry about one man's artistic survival.
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The 1930s - a Golden Age for American humor, mainly because everything else was going so badly. The wisecrack was the basic American sentence because there were so many things that could not be said any other way.
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Mankind has always made too much of its saints and heroes, and how the latter handle the fuss might be called their final test.
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Scott Fitzgerald is a sound you like to hear at certain times of the day, say at four in the afternoon and again late at night, and at other times it makes you slightly sick.
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The American male doesn't mature until he has exhausted all other possibilities.
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As you approach the presidency, no one seems worthy of it, since it wasn't designed for a human in the first place.
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Of course, history is only a muddle of facts and a fuddle of professors, and anyone who thinks it is one clear voice saying Arise, sir Knight deserves a life sentence in Camelot.
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It is possible that the malice of writers has been overrated (by myself among others). Reading their ruminations on their craft, one sees why this writer could not possibly like that one, would indeed consider him a menace. Literature is a battleground of conflicting faiths, and nobler passions than envy are involved.
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If the French were really intelligent, they'd speak English.
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