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Mr Michener, as timeless as a stack of 'National Geographics,' is the ultimate Summer Writer. Just as one goes back to the cottage in Maine, so one goes back to one's Michener.

Wilfrid Sheed

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Wilfrid Sheed
Age: 80 †
Born: 1930
Born: December 27
Died: 2011
Died: January 19
Novelist
London
England
Wilfrid John Joseph Sheed
Back
Maine
Timeless
National
Summer
Ultimate
Writer
Stack
Goes
Cottage
Justice
Cottages

More quotes by Wilfrid Sheed

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It's the old case against symbols: if you get them, they seem obvious and artificial, and if you don't, you miss the whole point.
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Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).
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Suicide is about life, being in fact the sincerest form of criticism life gets.
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Saloons provide moments of genuine ecstasy - but only if your soul is at peace and the rest of your life bears contemplating. Otherwise, they are palaces of misery.
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The worse we treat people in this country, the more delicately we talk about them.
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The spiritual life becomes very simple when you're sick.
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Beware the fictionist writing his own life. Even candor becomes a strategy.
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Of course, history is only a muddle of facts and a fuddle of professors, and anyone who thinks it is one clear voice saying Arise, sir Knight deserves a life sentence in Camelot.
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Every writer is a writer of the generation before.
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The American male doesn't mature until he has exhausted all other possibilities.
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Even the God of Calvin never judged anyone as harshly as married couples judge each other.
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The town is as full as ever of 'characters,' all created by each other.
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Books about suicide make lousy gifts.
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I picked up the writing on the very day he died. It was the only consolation I could find.
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The only reason I didn't kill myself after I read the reviews of my first book was because we have two rivers in New York and I couldn't decide which one to jumo into.
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As you approach the presidency, no one seems worthy of it, since it wasn't designed for a human in the first place.
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As things now stand, the office is a slightly meaner battleground than the home. Male bosses seem to dominate their women underlings as they would never dominate their wives.
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For now, I'm supposing that all movements are equal, which they're not, except in this respect: that none of them gives a damn about artists beyond their immediate utility. Good movements will use a writer just as ruthlessly as bad ones since they all fancy they have better things to do than worry about one man's artistic survival.
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Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
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If the French were really intelligent, they'd speak English.
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