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[Jerome David] Salinger was really taken to the cleaners by nasty critics in his day. I think Joan Didion was one of the people who attacked him in a very unfair way.

Whit Stillman

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Whit Stillman
Age: 72
Born: 1952
Born: January 25
Film Actor
Film Director
Film Producer
Screenwriter
Writer
New York City
New York
John Whitney Stillman
Critics
Jerome
Taken
Salinger
Really
Joan
Way
Cleaners
Think
Attacked
Thinking
David
People
Nasty
Unfair

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There's some people who are just very dynamic about social life, and it can be some pretty crazy stuff, but you end up meeting people you like.
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There's a big difference between having relatives who have money and actually having it yourself. Just because you have a cousin who has a lot of money doesn't mean he shares it with you. Or that you'd ask him for a loan.
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That's one of the things I find really bad, is when people not only do injuries to others, but then lie about the others to justify it. It's not bad enough just being bad to someone, but then lying about it.
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I think a lot of [Cosmopolitans] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with Uncle Wiggly in Connecticut, and I think that's great for us because then we have to do our own Salinger stories.
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I think crazy people are helpful, crazy people who are the catalysts who make other things happen for everyone else. It's almost as if they're not really making things happen in their own life, but their hyperactivity is triggered for everyone else.
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Sometimes you don't realize how dependent you are on just a few people, and if they disappear, suddenly you can be thrown on your own resources, which may be limited, and you're really in a fix. So I think that's authentic to the experience that it might be very lonely.
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The Cha-Cha is no more ridiculous than life itself.
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I can talk about Jane Austen until the cows come home.
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I think it's helpful to aspire to make films if you feel that other people are not doing what you want to do.
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It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.
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I call the '70s the golden age of television in the early '70s there were sensationally good shows.
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I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
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In my father's time - he was in college during many transitions in the late 1930s - they had great institutional loyalties... to his college, eventually the navy, the Democratic Party and certain ideals of our country. Those are the things that became broken with my generation.
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Mary McCarthy and that Mr. Intellectual kind of guy ... Dwight McDonald? And they were really mean about [Jerome David] Salinger, and oh they were going to destroy him, and just look how thoroughly they destroyed him! No one reads Salinger anymore!
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[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
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I find it really disturbing to be watching a lot of the medium that I'm trying to work in. I prefer to be doing things that are farther away.
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For me, the present is a golden era. That's the greatest golden era. Right now. I just like pining for lost times.
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I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.
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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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I decided the moment I graduated from college that I would never wear blue jeans again. And I have never worn blue jeans again.
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