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I think a lot of [Cosmopolitans] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with Uncle Wiggly in Connecticut, and I think that's great for us because then we have to do our own Salinger stories.

Whit Stillman

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Whit Stillman
Age: 72
Born: 1952
Born: January 25
Film Actor
Film Director
Film Producer
Screenwriter
Writer
New York City
New York
John Whitney Stillman
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Salinger
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Cosmopolitans

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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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Our roots are clinging, we shouldn't knock down so many old 'buildings.'
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I originally wanted to be F. Scott Fitzgerald, but failed.
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There's some people who are just very dynamic about social life, and it can be some pretty crazy stuff, but you end up meeting people you like.
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I think it's really good and helpful to have the people you most admire in some other discipline than what you work in. It's too intimidating and derivative to be just totally gobsmacked by someone doing exactly the same thing as you are.
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I find it really disturbing to be watching a lot of the medium that I'm trying to work in. I prefer to be doing things that are farther away.
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[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
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I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
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There's a big difference between having relatives who have money and actually having it yourself. Just because you have a cousin who has a lot of money doesn't mean he shares it with you. Or that you'd ask him for a loan.
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I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.
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That's one of the things I find really bad, is when people not only do injuries to others, but then lie about the others to justify it. It's not bad enough just being bad to someone, but then lying about it.
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For me, the present is a golden era. That's the greatest golden era. Right now. I just like pining for lost times.
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I decided the moment I graduated from college that I would never wear blue jeans again. And I have never worn blue jeans again.
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I can talk about Jane Austen until the cows come home.
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Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe Cosmopolitans has a bit of an Evelyn Waugh vibe to it at some point.
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I would say on the other side of the equation that there were really some massive sales and massive enthusiasm for some films that were given big releases. And I'm not really sure that happens in quite the same way, small films getting big releases. Maybe it still does, I don't know.
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It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
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I call the '70s the golden age of television in the early '70s there were sensationally good shows.
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I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
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