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I think a lot of [Cosmopolitans] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with Uncle Wiggly in Connecticut, and I think that's great for us because then we have to do our own Salinger stories.

Whit Stillman

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Whit Stillman
Age: 72
Born: 1952
Born: January 25
Film Actor
Film Director
Film Producer
Screenwriter
Writer
New York City
New York
John Whitney Stillman
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Cosmopolitans

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I'm for people clinging. I'm pro-clinging.
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I think it's really good and helpful to have the people you most admire in some other discipline than what you work in. It's too intimidating and derivative to be just totally gobsmacked by someone doing exactly the same thing as you are.
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I think it's helpful to aspire to make films if you feel that other people are not doing what you want to do.
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For me, the present is a golden era. That's the greatest golden era. Right now. I just like pining for lost times.
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Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe Cosmopolitans has a bit of an Evelyn Waugh vibe to it at some point.
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I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
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I originally wanted to be F. Scott Fitzgerald, but failed.
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[Jerome David] Salinger was really taken to the cleaners by nasty critics in his day. I think Joan Didion was one of the people who attacked him in a very unfair way.
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I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.
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I decided the moment I graduated from college that I would never wear blue jeans again. And I have never worn blue jeans again.
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I can talk about Jane Austen until the cows come home.
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There's a big difference between having relatives who have money and actually having it yourself. Just because you have a cousin who has a lot of money doesn't mean he shares it with you. Or that you'd ask him for a loan.
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Our roots are clinging, we shouldn't knock down so many old 'buildings.'
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The Cha-Cha is no more ridiculous than life itself.
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I call the '70s the golden age of television in the early '70s there were sensationally good shows.
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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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