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Our roots are clinging, we shouldn't knock down so many old 'buildings.'

Whit Stillman

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Whit Stillman
Age: 72
Born: 1952
Born: January 25
Film Actor
Film Director
Film Producer
Screenwriter
Writer
New York City
New York
John Whitney Stillman
Clinging
Knock
Buildings
Shouldn
Roots
Building
Many

More quotes by Whit Stillman

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I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
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I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
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[Jerome David] Salinger was really taken to the cleaners by nasty critics in his day. I think Joan Didion was one of the people who attacked him in a very unfair way.
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There's some people who are just very dynamic about social life, and it can be some pretty crazy stuff, but you end up meeting people you like.
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Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe Cosmopolitans has a bit of an Evelyn Waugh vibe to it at some point.
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It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.
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It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
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I think crazy people are helpful, crazy people who are the catalysts who make other things happen for everyone else. It's almost as if they're not really making things happen in their own life, but their hyperactivity is triggered for everyone else.
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I call the '70s the golden age of television in the early '70s there were sensationally good shows.
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I would say on the other side of the equation that there were really some massive sales and massive enthusiasm for some films that were given big releases. And I'm not really sure that happens in quite the same way, small films getting big releases. Maybe it still does, I don't know.
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Mary McCarthy and that Mr. Intellectual kind of guy ... Dwight McDonald? And they were really mean about [Jerome David] Salinger, and oh they were going to destroy him, and just look how thoroughly they destroyed him! No one reads Salinger anymore!
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We learned some bad things, and the Vietnam War led to some bad conclusions. We're not the greatest generation, that's for sure.
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There's a big difference between having relatives who have money and actually having it yourself. Just because you have a cousin who has a lot of money doesn't mean he shares it with you. Or that you'd ask him for a loan.
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I think it's helpful to aspire to make films if you feel that other people are not doing what you want to do.
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I can talk about Jane Austen until the cows come home.
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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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The Cha-Cha is no more ridiculous than life itself.
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I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.
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I think it's really good and helpful to have the people you most admire in some other discipline than what you work in. It's too intimidating and derivative to be just totally gobsmacked by someone doing exactly the same thing as you are.
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[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
Whit Stillman