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You can't go by what the governments say or do. It's not the governments. It's on the street where there's more hatred of Americans in Britain than in France.

Whit Stillman

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Whit Stillman
Age: 72
Born: 1952
Born: January 25
Film Actor
Film Director
Film Producer
Screenwriter
Writer
New York City
New York
John Whitney Stillman
France
Street
Hatred
Americans
Streets
Government
Governments
Britain

More quotes by Whit Stillman

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I think it's helpful to aspire to make films if you feel that other people are not doing what you want to do.
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I love watching the romantic comedies of the late '50s and early '60s. I used to have a rule that if Tony Randall's in it, it can't be bad.
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I decided the moment I graduated from college that I would never wear blue jeans again. And I have never worn blue jeans again.
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I can talk about Jane Austen until the cows come home.
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I think crazy people are helpful, crazy people who are the catalysts who make other things happen for everyone else. It's almost as if they're not really making things happen in their own life, but their hyperactivity is triggered for everyone else.
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It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.
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It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
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Find someone hypersocial and crazy and try not to follow them to their doom, but to make friends with their nicer friends.
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I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
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Mary McCarthy and that Mr. Intellectual kind of guy ... Dwight McDonald? And they were really mean about [Jerome David] Salinger, and oh they were going to destroy him, and just look how thoroughly they destroyed him! No one reads Salinger anymore!
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I find it really disturbing to be watching a lot of the medium that I'm trying to work in. I prefer to be doing things that are farther away.
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I call the '70s the golden age of television in the early '70s there were sensationally good shows.
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One of the problems of a director on the set is that we become overwhelmed by all the factors and threads of production, that sometimes we can't focus on our main job, which is steering the performances to create the whole film.
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In my father's time - he was in college during many transitions in the late 1930s - they had great institutional loyalties... to his college, eventually the navy, the Democratic Party and certain ideals of our country. Those are the things that became broken with my generation.
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I think it's really good and helpful to have the people you most admire in some other discipline than what you work in. It's too intimidating and derivative to be just totally gobsmacked by someone doing exactly the same thing as you are.
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I'm for people clinging. I'm pro-clinging.
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I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.
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Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe Cosmopolitans has a bit of an Evelyn Waugh vibe to it at some point.
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Sometimes you don't realize how dependent you are on just a few people, and if they disappear, suddenly you can be thrown on your own resources, which may be limited, and you're really in a fix. So I think that's authentic to the experience that it might be very lonely.
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[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
Whit Stillman