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If I like a movie, I'm definitely advocating for it, but it's not you should see this or you shouldn't see this. I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.

Wesley Morris

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Wesley Morris
Age: 48
Born: 1975
Born: December 19
Film Critic
Journalist
Podcaster
Writer
the United States of America
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More quotes by Wesley Morris

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I'm a human who is aware of the history of humanity and the ways in which the movies touch on those things.
Wesley Morris
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I don't need the audience, but sometimes it's nice to have a gauge - not so I know how I feel, but so I get what is or isn't working for moviegoers.
Wesley Morris
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I have a pretty good sense of when to express misgivings. And white critics are just as capable of pointing those things out and noticing them as people of color.
Wesley Morris
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There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.
Wesley Morris
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In the Mac vs. PC ads, Apple bills itself as the antidote to Microsoft. To love Apple wasn't to sell out. It was to buy in. Most people use PCs, but Apple has the mindshare.
Wesley Morris
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Straight white males: that's the predominant moviegoing category, and the persistence of that is a dismaying maintenance of the status quo.
Wesley Morris
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Poor decisions and bad luck are contingencies of most horror films.
Wesley Morris
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I definitely have a kind of Stockholm Syndrome for superhero movies because it's very clear that's the era we're in. It's like Christianity in the Middle Ages.
Wesley Morris
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The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.
Wesley Morris
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Computers are scary. Theyre nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.
Wesley Morris
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Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
Wesley Morris
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I just have to be able to follow and enjoy the writer's voice and the writer's point of view. Liking what the person has to say is not really important to me.
Wesley Morris
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Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.
Wesley Morris
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I love to go to the movies with people, but a lot of the time it's me in a room with a bunch of other movie critics, which is fine.
Wesley Morris
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Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.
Wesley Morris
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Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.
Wesley Morris
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I do feel a responsibility to address things that are problematic, but I don't have to go out of my way to do that.
Wesley Morris
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A movie is just like a work of art or a book or a piece of music. The intent of its maker is one thing, but its interpretation by an audience is something else. I don't stop at what the filmmaker wanted to do.
Wesley Morris
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The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it.
Wesley Morris
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Anything produced and then exhibited for public view is open to interpretation.
Wesley Morris