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Poor decisions and bad luck are contingencies of most horror films.

Wesley Morris

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Wesley Morris
Age: 48
Born: 1975
Born: December 19
Film Critic
Journalist
Podcaster
Writer
the United States of America
Poor
Film
Contingencies
Contingency
Decisions
Horror
Luck
Films
Decision

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I just have to be able to follow and enjoy the writer's voice and the writer's point of view. Liking what the person has to say is not really important to me.
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Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.
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Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.
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There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.
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Computers are scary. Theyre nightmares to fix, lose our stuff, and, on occasion, they crash, producing the blue screen of death. Steve Jobs knew this. He knew that computers were bulky and hernia-inducing and Darth Vader black. He understood the value of declarative design.
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I have a pretty good sense of when to express misgivings. And white critics are just as capable of pointing those things out and noticing them as people of color.
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Anything produced and then exhibited for public view is open to interpretation.
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If I like a movie, I'm definitely advocating for it, but it's not you should see this or you shouldn't see this. I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.
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I love to go to the movies with people, but a lot of the time it's me in a room with a bunch of other movie critics, which is fine.
Wesley Morris
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The problem with a lot of movies when it comes to race is that they want to be moral, and they want to make the audience feel good about something that a lot of people don't feel good about.
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Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
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In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.
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All critics have the responsibility to tease out the social ideas and social problems in a movie. I don't feel an obligation to do that because I'm black.
Wesley Morris
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I don't need the audience, but sometimes it's nice to have a gauge - not so I know how I feel, but so I get what is or isn't working for moviegoers.
Wesley Morris
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A movie is just like a work of art or a book or a piece of music. The intent of its maker is one thing, but its interpretation by an audience is something else. I don't stop at what the filmmaker wanted to do.
Wesley Morris
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I'm a human who is aware of the history of humanity and the ways in which the movies touch on those things.
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Most Pixar films are better than most live action films.
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Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.
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The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.
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Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make.
Wesley Morris