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[I was] feeling like I'd done something horrible, I'm a despicable person and I'm perverse, and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
Wes Craven
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Wes Craven
Age: 76 †
Born: 1939
Born: August 2
Died: 2015
Died: August 30
Actor
Camera Operator
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Television Producer
Cleveland
Ohio
Wesley Earl Craven
Something
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Film
Horror
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Despicable
More quotes by Wes Craven
I have a lot of fans who are people of color. I think, if nothing else, I kind of understand that sense of being on the outside looking in, culturally.
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I think the important thing about staying creative and staying sharp and original is not to look back too much.
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As long as you keep the audience on the edge of their seats, either scare them or keep them guessing, you can put anything in there that you want.
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If you think it, the camera will see it.
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A collection of masks, depicting historical figures in life and what I like to call the eternal repose.
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I like to address the fears of my culture. I believe it`s good to face the enemy, for the enemy is fear.
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I did have the resource of having taught Greek mythology and the history of Western civilization, and you can go back into the plays of Aeschylus and follow what happens when people seek revenge, and there are people plucking their eyes out. And Greek mythology is filled with all kinds of monsters and whatnot.
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I love the fact that a lot of my audience is people from the inner city. African-Americans love my films.
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I've found that if you have two films that don't perform well it doesn't matter that you've had a bunch of successful ones. The phone stops ringing, and after Deadly Blessing and Swamp Thing that's what happened.
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Dad, girls don't fall down every time they run.
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I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one [film], because certainly there was all that fundamentalist guilt that came pouring back in.
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I think if anybody had a roll of dice with a lot of money at stake, they would not want Wes Craven and a romantic comedy.
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I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
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My mother wouldn't even let me read DC Comics.
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I came from a very strict background. [So if you want to make a scary movie] if you were raised as a fundamentalist, just pull all the skeletons out of your closet.
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I think that there has been a slow recognition that there's a mind at work here, and there's a skill and some bit of artistry, and that I could probably do other things. Otherwise, I don't know that I would've been given the opportunity to do Paris, Je T'Aime.
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All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.
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It's quite rare that you make something and think that you did something that no-one else had done.
Wes Craven
Horror films don't create fear. They release it.
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Many, many things are dangerous in our world, commercials and TV are dangerous, and so is the world of sitcoms. But nobody does anything about them because they're turning in alot of money.
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