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The first monster that an audience has to be scared of is the filmmaker. They have to feel in the presence of someone not confined by the normal rules of propriety and decency.
Wes Craven
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Wes Craven
Age: 76 †
Born: 1939
Born: August 2
Died: 2015
Died: August 30
Actor
Camera Operator
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Television Director
Television Producer
Cleveland
Ohio
Wesley Earl Craven
Feels
Scared
Rules
Propriety
Normal
Decency
Audience
Confined
Someone
Monster
Firsts
Filmmaker
First
Monsters
Feel
Presence
More quotes by Wes Craven
People who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, like my films, and I like that.
Wes Craven
If you think it, the camera will see it.
Wes Craven
Dad, girls don't fall down every time they run.
Wes Craven
All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.
Wes Craven
I make something I can look at and say, That's a good piece of work, and there's some terrific directing and acting in it, and you should be proud of it.
Wes Craven
I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one [film], because certainly there was all that fundamentalist guilt that came pouring back in.
Wes Craven
I believe the cinema is one of our principal forms of art. It is an incredibly powerful way to tell uplifitng stories that can move people to cry with joy and inspire them to reach for the stars.
Wes Craven
I came from a very strict background. [So if you want to make a scary movie] if you were raised as a fundamentalist, just pull all the skeletons out of your closet.
Wes Craven
I learned to take the first job that you have in the business that you want to get into. It doesn't matter what that job is, you get your foot in the door.
Wes Craven
I have a lot of fans who are people of color. I think, if nothing else, I kind of understand that sense of being on the outside looking in, culturally.
Wes Craven
There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do.
Wes Craven
Something like Nightmare On Elm Street, to me, was kind of an examination of levels of consciousness and the pain of facing the truth, and how easy it is to fall asleep, or want to fall asleep.
Wes Craven
The first monster you have to scare the audience with is yourself.
Wes Craven
I did have the resource of having taught Greek mythology and the history of Western civilization, and you can go back into the plays of Aeschylus and follow what happens when people seek revenge, and there are people plucking their eyes out. And Greek mythology is filled with all kinds of monsters and whatnot.
Wes Craven
A lot of life is dealing with your curse, dealing with the cards you were given that aren't so nice. Does it make you into a monster, or can you temper it in some way, or accept it and go in some other direction?
Wes Craven
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
Wes Craven
I'm writing a film called 'Bug.' It's an original script, and it's not about killer insects. It's a thriller set in a high school. The bug of the title refers to a surveillance device.
Wes Craven
As long as you keep the audience on the edge of their seats, either scare them or keep them guessing, you can put anything in there that you want.
Wes Craven
A collection of masks, depicting historical figures in life and what I like to call the eternal repose.
Wes Craven
[I was] feeling like I'd done something horrible, I'm a despicable person and I'm perverse, and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
Wes Craven
