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I've always loved stop motion animation and I particularly wanted to do stop motion with puppets that have fur, for whatever reason that is.

Wes Anderson

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Wes Anderson
Age: 55
Born: 1969
Born: May 1
Actor
Animator
Film Director
Film Producer
Manufacturer
Screenwriter
Writer
Houston
Texas
Wesley Anderson
Wesley Wales Anderson
Wanted
Puppets
Always
Animation
Motion
Particularly
Loved
Stop
Whatever
Reason
Fur

More quotes by Wes Anderson

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I don't think any of us are normal people.
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I don't really look for challenges as much as I like adventures. Other than that I'm just trying to find stories I want to tell.
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With each movie I have a different set of inspirations.
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I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
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the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, Well, maybe it's not that good. These guys don't want me to do this...
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I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
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Any romantic feelings for a 12-year-old are like entering into a fantasy world.
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People often call and say: Can you help me to get Bill Murray in our movie. But I'm always like, well I don't know how to do that! I've sometimes tried and not been able to get him but then I'll suddenly be very surprised by the thing that he will suddenly decide to do.
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The only thing that takes away from it is when they steal some music from one of my movies and put it in a TV commercial. I am not crazy about influencing TV commercials. But if I legitimately influence someone making a movie, I think that is really flattering.
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The movies I make tend not to be quite reality but the characters are inspired by real people and they're always very personal.
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Working with kids is usually very fun. They get so into movie and they're up for anything. Usually they're having such an exciting experience, everybody feels that.
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I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
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Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
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Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
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When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
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It's not usually that great of an idea to read lots of reviews of your movies, because even if somebody's saying nice things, there'll still be something in there that pushes the wrong button, and it's not really that helpful.
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Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
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On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
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That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
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I usually set aside a lot of time in advance of a movie with important roles for kids to search, but when you have great ones, they can be a real ace in the hole.
Wes Anderson