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A prototype is always more expensive than anything.

Wes Anderson

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Wes Anderson
Age: 55
Born: 1969
Born: May 1
Actor
Animator
Film Director
Film Producer
Manufacturer
Screenwriter
Writer
Houston
Texas
Wesley Anderson
Wesley Wales Anderson
Prototype
Expensive
Anything
Always

More quotes by Wes Anderson

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I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
Wes Anderson
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Working with kids is usually very fun. They get so into movie and they're up for anything. Usually they're having such an exciting experience, everybody feels that.
Wes Anderson
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India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected. That's part of the reason why people who like it tend to love it.
Wes Anderson
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Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
Wes Anderson
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Kids are always open to anything. It's very rare that a kid isn't extremely eager to make you happy.
Wes Anderson
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I'm very sorry for your loss. Your mother was a terribly attractive woman.
Wes Anderson
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It's not usually that great of an idea to read lots of reviews of your movies, because even if somebody's saying nice things, there'll still be something in there that pushes the wrong button, and it's not really that helpful.
Wes Anderson
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On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
Wes Anderson
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I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
Wes Anderson
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Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
Wes Anderson
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I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
Wes Anderson
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That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
Wes Anderson
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When you finish work, practically everybody in that place is going to watch a movie at night anyway. They're tired. They have dinner. They go up to their room. They're watching TV.
Wes Anderson
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Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
Wes Anderson
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I just want to make films that are personal, but interesting to an audience.
Wes Anderson
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I usually set aside a lot of time in advance of a movie with important roles for kids to search, but when you have great ones, they can be a real ace in the hole.
Wes Anderson
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One of the things I enjoyed the most is just working as an actor.
Wes Anderson
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And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in young adult fantasy writing.
Wes Anderson
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I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
Wes Anderson
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With each movie I have a different set of inspirations.
Wes Anderson