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Animating is a very slow, pain-staking process and the animators become the actors at that point.
Wes Anderson
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Wes Anderson
Age: 55
Born: 1969
Born: May 1
Actor
Animator
Film Director
Film Producer
Manufacturer
Screenwriter
Writer
Houston
Texas
Wesley Anderson
Wesley Wales Anderson
Become
Animating
Animators
Animator
Slow
Point
Actors
Pain
Process
Staking
More quotes by Wes Anderson
I don't think any of us are normal people.
Wes Anderson
I don't really look for challenges as much as I like adventures. Other than that I'm just trying to find stories I want to tell.
Wes Anderson
Mostly with commercial work, it isn't about personal vision. It's not a personal effort, it's work for hire. That's more my attitude with those. You just want to be a professional worker.
Wes Anderson
Kids are always open to anything. It's very rare that a kid isn't extremely eager to make you happy.
Wes Anderson
Working with kids is usually very fun. They get so into movie and they're up for anything. Usually they're having such an exciting experience, everybody feels that.
Wes Anderson
I love working with actors. That's what the set really is, for me. It's my time with the actors.
Wes Anderson
The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
Wes Anderson
When I see the first dailies on any movie, I usually feel that I had no idea how this combination of ingredients was going to mix together, what it was going to produce.
Wes Anderson
India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected.
Wes Anderson
With each movie I have a different set of inspirations.
Wes Anderson
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
Wes Anderson
I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
Wes Anderson
I would like to do a movie in space, but I think it would be difficult to do it on location.
Wes Anderson
I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
Wes Anderson
The subject of an outsider who becomes obsessed.
Wes Anderson
And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in young adult fantasy writing.
Wes Anderson
A lot of people have said my movies are all the same. But I don't actually make an effort to have a style. I'm usually just thinking of what can we do to make it funnier or more interesting or just kind of refine it and it ends up like that.
Wes Anderson
A prototype is always more expensive than anything.
Wes Anderson
I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
Wes Anderson
The kids are the ones that have a clarity about what they want. They don't have any wisdom, but they do have a clear understanding about what they want to have happen.
Wes Anderson
