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I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.

Wes Anderson

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Wes Anderson
Age: 55
Born: 1969
Born: May 1
Actor
Animator
Film Director
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Writer
Houston
Texas
Wesley Anderson
Wesley Wales Anderson
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More quotes by Wes Anderson

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With each movie I have a different set of inspirations.
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I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
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Sometimes if the people are up for trying something that I'm interested in, it can be a great experience.
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I wouldn't say that I'm particularly bothered or obsessed with detail.
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I'm very sorry for your loss. Your mother was a terribly attractive woman.
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When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
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Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
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I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
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Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
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Mostly with commercial work, it isn't about personal vision. It's not a personal effort, it's work for hire. That's more my attitude with those. You just want to be a professional worker.
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I just want to make films that are personal, but interesting to an audience.
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Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
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The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
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The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
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You don't do background music the way a lot of more conventional films do. The music is often kind of a character in your films to the extent that sometimes you stop and watch someone perform a song.
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A prototype is always more expensive than anything.
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I don't really look for challenges as much as I like adventures. Other than that I'm just trying to find stories I want to tell.
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I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
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The subject of an outsider who becomes obsessed.
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I love working with actors. That's what the set really is, for me. It's my time with the actors.
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