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I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
Wes Anderson
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Wes Anderson
Age: 55
Born: 1969
Born: May 1
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Houston
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Wesley Anderson
Wesley Wales Anderson
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More quotes by Wes Anderson
A lot of people have said my movies are all the same. But I don't actually make an effort to have a style. I'm usually just thinking of what can we do to make it funnier or more interesting or just kind of refine it and it ends up like that.
Wes Anderson
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
Wes Anderson
When you finish work, practically everybody in that place is going to watch a movie at night anyway. They're tired. They have dinner. They go up to their room. They're watching TV.
Wes Anderson
With each movie I have a different set of inspirations.
Wes Anderson
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
Wes Anderson
A prototype is always more expensive than anything.
Wes Anderson
I don't think any of us are normal people.
Wes Anderson
Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
Wes Anderson
I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
Wes Anderson
I'm very sorry for your loss. Your mother was a terribly attractive woman.
Wes Anderson
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
Wes Anderson
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
Wes Anderson
Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
Wes Anderson
I wouldn't say that I'm particularly bothered or obsessed with detail.
Wes Anderson
People often call and say: Can you help me to get Bill Murray in our movie. But I'm always like, well I don't know how to do that! I've sometimes tried and not been able to get him but then I'll suddenly be very surprised by the thing that he will suddenly decide to do.
Wes Anderson
The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
Wes Anderson
I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
Wes Anderson
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
Wes Anderson
I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
Wes Anderson
When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
Wes Anderson