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I didn't think so much of him at first. But now I get it: he's everything that I'm not.
Wes Anderson
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Wes Anderson
Age: 55
Born: 1969
Born: May 1
Actor
Animator
Film Director
Film Producer
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Screenwriter
Writer
Houston
Texas
Wesley Anderson
Wesley Wales Anderson
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More quotes by Wes Anderson
That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
Wes Anderson
The kids are the ones that have a clarity about what they want. They don't have any wisdom, but they do have a clear understanding about what they want to have happen.
Wes Anderson
India is a place where one of the great pleasures for a foreigner is that you're constantly surprised. Everywhere you look is something that is either funny, or very moving, but there is always so much that is so unexpected. That's part of the reason why people who like it tend to love it.
Wes Anderson
With each movie I have a different set of inspirations.
Wes Anderson
Sometimes if the people are up for trying something that I'm interested in, it can be a great experience.
Wes Anderson
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
Wes Anderson
When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
Wes Anderson
Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
Wes Anderson
I guess when I think about it, one of the things I like to dramatise, and what is sometimes funny, is someone coming unglued. I don't consider myself someone who is making the argument that I support these choices. I just think it can be funny.
Wes Anderson
I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
Wes Anderson
Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie.
Wes Anderson
I wouldn't say that I'm particularly bothered or obsessed with detail.
Wes Anderson
I just now put [Robert Altman] down feeling heartbroken but happily and deeply inspired. . . . Wonderful.
Wes Anderson
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
Wes Anderson
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
Wes Anderson
When you finish work, practically everybody in that place is going to watch a movie at night anyway. They're tired. They have dinner. They go up to their room. They're watching TV.
Wes Anderson
I've always loved stop motion animation and I particularly wanted to do stop motion with puppets that have fur, for whatever reason that is.
Wes Anderson
It's not usually that great of an idea to read lots of reviews of your movies, because even if somebody's saying nice things, there'll still be something in there that pushes the wrong button, and it's not really that helpful.
Wes Anderson
My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.
Wes Anderson
Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
Wes Anderson