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I always loved celluloid cameras in the early days that were sturdy and reliable. Even under tropical conditions and downpour of rain, it would still work.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Voice Actor
München
Werner Herzog Stipetić
Werner Stipetić
Would
Conditions
Downpour
Loved
Celluloid
Days
Sturdy
Stills
Tropical
Still
Reliable
Even
Cameras
Work
Rain
Always
Early

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I believe the common denominator of the Universe is not harmony, but chaos, hostility and murder.
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For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
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I'm not a one-trick horse.
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There are certainly laws and elements that make a film more accessible to mainstream audiences. If you've got Tom Cruise as a strongman, I'm sure it would have larger audiences, but it wouldn't have the same substance.
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In my films, I hope there are a few moments where you feel almost illuminated, like in a state of ecstasy, stepping out of yourself, beyond yourself and perceiving something which is only, in the case of cinema, possible in collective dreams.
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I think psychology and self-reflection is one of the major catastrophes of the twentieth century.
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I don't want to travel.
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I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature.
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James Joyce is a cul-de-sac. [Ulysses is] ... an example how literature branched out and went into, lost itself in nowhere, no man's land.
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Fact creates norms, and truth illumination.
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But the question that everyone wanted answered was whether I would have the nerve and the strength to start the whole process from scratch. I said yes otherwise I would be someone who had no dream left, and without dreams I would not want to live.
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We live in a society that has no adequate images anymore, and if we do not find adequate images and an adequate language for our civilization with which to express them, we will die out like the dinosaurs.
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You can fight a rumour only with an even wilder rumour.
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I'm not a journalist I'm a poet. I had a discourse, an encounter with these people but I never had a list of questions.
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Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not relying on your creative instincts and you're not relying on something which brings life into movies and excitement into it.
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Our presence on this planet does not seem to be sustainable. Our technical civilization makes up particularly vulnerable. There is talk all over the scientific community about climate change. Many of them [scientists] agree, the end of human life on earth is assured.
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I think a state should not be in the capacity of killing anyone with the exception of warfare.
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It's curiosity, and always a sense of poetry. You see it in particular in the chapter Iceland where I'm reciting ancient Icelandic poetry. It has this very beautiful gravitas in conjunction with the volcanoes.
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If you do not understand how finances are functioning, you are in a very precarious situation, at least concerning long-term survival.
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