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We have volcanoes also in our immediate neighborhood. I wish we didn't have to travel that far. Probably the kind of magnitude and awesome raw power of them is very fascinating, and of course it's very cinematic.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
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Cinematographer
Film Actor
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München
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If you don’t have a deal in two days, you won’t have a deal in two years.
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What I do not like, the kind of high-resolution cameras, 4K, 6K, for shooting dialogue, for having faces and close-ups of actors, and you see every single pore in the skin.
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If you go to Florence, it has all surface beauty, but like Venice, it's simply a museum of Renaissance times. Los Angeles is raw, uncouth and bizarre, but it's a place of substance. It has more new horizons than any other place.
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I could not become an American citizen. I would not like to become a citizen of a country that has capital punishment.
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We are not accountants, We are not accountants who do number after number after number of storyboard images, a robot could do it ultimately, but what I'm doing a robot cannot do.
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There is a fascination about crime, which is understandable, but hardly anyone talks about the families of victims of violent crime and the devastation that is beyond the victim alone.
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You can fight a rumour only with an even wilder rumour.
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For me, the distinction between documentaries and feature films is not so clear - my documentaries were largely scripted, rehearsed, and repeated, and have a lot of fantasy and concoction in them.
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I have learned a lot through defeats, and, until today, it's - I'm still haunted by defeats, and they do happen. Sometimes, a film of mine is rejected. And how do you deal with it? And you have to learn how to deal with it and survive anyway.
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This is the birth of the modern human soul. The artists are like us, not like the Neanderthals, who had no culture - and who incidentally were still roaming the landscape at the time the paintings were made. It is striking that there is a distant cultural echo that seems to reach all the way down to us, over dozens of millennia.
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I'm reminded of an interview Larry King had on his talk show with one of Michael Jackson's sisters. He's talking about how many millions she made on her latest record, and all of a sudden, she looks at him tearfully and says, Larry, you know, I'm not interested in money or sales or songs. I'm a spiritual person. And I thought, Oh my god...
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Gaining trust is not difficult for me. I needed to gain the trust of the North Korean supervisors.
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I do not believe in the Cinema verite. Sometimes a really good lie is better than any truth.
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Everything you see in North Korea, it's all propaganda, but it's all connected to the volcano.
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It's not because nature is angry, it's rather that we are stupid. We're not doing the right thing with our planet.
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If I had to climb into hell and wrestle the devil himself for one of my films, I would do it.
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I always felt completely confident - it's like in a feature film, knowing your principle character is extremely well-cast. I had that same confidence in Clive [Oppenheimer].
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When you look at my film you see footage that is unbelievably awesome and beautiful and dangerous looking. It's something that is very, very cinematic.
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A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.
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While you are walking you would learn much more about filmmaking than if you were in a classroom. During your voyage you will learn more about what your future holds than in five years at film school. Your experiences would be the very opposite of academic knowledge, for academia is the death of cinema. It is the very opposite of passion.
Werner Herzog