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The elections have a different platform, the town hall is the platform for it. But the other question behind all this is should I run for president?

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
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Film Producer
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München
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Werner Stipetić
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The power of a volcano when it erupts is so evident, so visible, so palpable.
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Strangely enough, there's this mythology sprouting out that I cannot stop.
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I'm quite convinced that cooking is the only alternative to film making. Maybe there's also another alternative, that's walking on foot.
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I wouldn't make a connection between the daily news and volcanoes.
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I have learned a lot through defeats, and, until today, it's - I'm still haunted by defeats, and they do happen. Sometimes, a film of mine is rejected. And how do you deal with it? And you have to learn how to deal with it and survive anyway.
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There's more substance in my prose and my poetry than in all my films together. Writing is a more direct way of expressing yourself because, in cinema, you always have finances, organization, actors, technical apparatus and all that stuff coming in between.
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At the end [when I speak about] magma under us everywhere, how it's monumentally indifferent to scurrying roaches, recoiled reptiles, and vapid humans alike. You see, you would never hear anything like that in a National Geographic or a PBS movie. This is clearly a transgression when it comes to being politically correct with your commentary.
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Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.
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In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.
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Here, all of a sudden, we have a revolution in - in communication, and it is - it is really, truly big. Internet is as big as the introduction of fire to the human race, or the introduction of electricity into our lives.
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Our presence on this planet does not seem to be sustainable. Our technical civilization makes up particularly vulnerable. There is talk all over the scientific community about climate change. Many of them [scientists] agree, the end of human life on earth is assured.
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What have we done to our images? What have we done to our embarrassed landscapes? I have said this before and will repeat it again as long as I am able to talk: if we do not develop adequate images we will die out like dinosaurs.
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I know for sure that there is only one step from insecticide to genocide.
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It's funny how in the long time of me working in various countries and various situations that there is this kind of idea out in the media that I am a daredevil and that I risk the lives of everyone around me, but nobody ever gets hurt on my shoot. Some crew members sometimes, but the actors are OK.
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I think Irish people started to move to the United States - many things that were of consequence. And it was a tiny and mild event compared to what had happened 74,000 years ago.
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After Jack Reacher the parts I didn't like, most of it was silly.
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Roger Ebert was the last mammoth alive who was holding the flag for real movies and moviemakers.
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When you look at the paintings at Chauvet Cave, they're not primitive or like children's little scribbles, it bursts on the scene fully accomplished and when you look through the faces of cultural history, art history, it has never gotten any better.
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Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
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I do not want to have a cell phone. I do not want it for cultural reasons. I do not want to be available all the time. I want to have time to think and to touch somebody, and have a meal across my kitchen table without a cell phone, being constantly on tweets.
Werner Herzog