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Along with this rapid growth of forms of communication at our disposal - be it fax, phone, email, internet or whatever - human solitude will increase in direct proportion.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Voice Actor
München
Werner Herzog Stipetić
Werner Stipetić
Along
Proportion
Growth
Phones
Technology
Solitude
Fax
Whatever
Forms
Disposal
Form
Communication
Rapid
Human
Increase
Rapids
Humans
Direct
Email
Internet
Phone

More quotes by Werner Herzog

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We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.
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Spirit of immersion and curiosity and awe and participation is something which Timothy Treadwell and I have in common.
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My non-fiction films are pretty much fiction, or at least close... It's all movies for me. I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.
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At the end [when I speak about] magma under us everywhere, how it's monumentally indifferent to scurrying roaches, recoiled reptiles, and vapid humans alike. You see, you would never hear anything like that in a National Geographic or a PBS movie. This is clearly a transgression when it comes to being politically correct with your commentary.
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There's this kind of strange mythology about me in the media because I've done unusual things.
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By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.
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The elections have a different platform, the town hall is the platform for it. But the other question behind all this is should I run for president?
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Tourism is a mortal sin.
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I have been in lots of very intense life situations. I have been shot at, and I have been hungry, and I have been in solitude, and I have also briefly been behind bars. So in a way, I know the heart of men.
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The volcano itself wasn't that interesting, but the man who refused to be evacuated - the only one of 75,000 people - was what set the tone for the film [Encounters at the End of the World] that we made together [with Clive Oppenheimer] ten years later.
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When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.
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Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.
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Everyone who makes films has to be an athlete to a certain degree because cinema does not come from abstract academic thinking it comes from your knees and thighs.
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I'm quite convinced that cooking is the only alternative to film making. Maybe there's also another alternative, that's walking on foot.
Werner Herzog
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I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.
Werner Herzog
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[This kind of strange mythology about me.] I've pulled a huge steamboat over a mountain I've done a feature film with all the actors acting under hypnosis - things that are very unusual.
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People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other's murder.
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There's a completely new culture out there. I'm not a participant of texting and driving - or texting at all - but I see there's something going on in civilization which is coming with great vehemence at us.
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This is the birth of the modern human soul. The artists are like us, not like the Neanderthals, who had no culture - and who incidentally were still roaming the landscape at the time the paintings were made. It is striking that there is a distant cultural echo that seems to reach all the way down to us, over dozens of millennia.
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I do whatever pushes me hardest. It's coming at me and I try to... it's like uninvited guest and I have to wrestle them out the door or through the window - get them out and get over with them quickly.
Werner Herzog