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I'm quite convinced that cooking is the only alternative to film making. Maybe there's also another alternative, that's walking on foot.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Voice Actor
München
Werner Herzog Stipetić
Werner Stipetić
Another
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North Korea has a very striking mythology there. It is influencing the whole nation.
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James Joyce is a cul-de-sac. [Ulysses is] ... an example how literature branched out and went into, lost itself in nowhere, no man's land.
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Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not relying on your creative instincts and you're not relying on something which brings life into movies and excitement into it.
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Public life is constantly aware of the volcano.
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I had complete freedom. They [Netflix] knew roughly what I was doing.
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Film is not analysis, it is the agitation of mind cinema comes from the country fair and the circus, not from art and academicism.
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Perseverance has kept me going over the years. Things rarely happen overnight. Filmmakers should be prepared for many years of hard work. The sheer toil can be healthy and exhilarating.
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If you go to Florence, it has all surface beauty, but like Venice, it's simply a museum of Renaissance times. Los Angeles is raw, uncouth and bizarre, but it's a place of substance. It has more new horizons than any other place.
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It's all movies for me. And besides, when you say documentaries, in my case, in most of these cases, means feature film in disguise.
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My crew [on Fitzcarraldo filming] actually said, We have filmed it from outside on the rocks of the shore. We should be on board [the ship], and I said it's dangerous, I only do it if you cinematographer Thomas Mauch and you actor [Klaus] Kinski decide on your own.
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Sometimes bad luck hits you like in an ancient Greek tragedy, and it's not your own making. When you have a plane crash, it's not your fault.
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I always had a feeling, for example, that there should be something from Verdi's Requiem in the film. You hear it when you see the lava flow in Iceland. That turned out to be a very easy choice.
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A fairly young, intelligent-looking man with long hair asked me whether filming or being filmed could do harm, whether it could destroy a person. In my heart the answer was yes, but I said no.
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I love nature but against my better judgment.
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We have volcanoes also in our immediate neighborhood. I wish we didn't have to travel that far. Probably the kind of magnitude and awesome raw power of them is very fascinating, and of course it's very cinematic.
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At the same time, there's something magnificent about volcanoes they created the atmosphere that we need for breathing.
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Most of the volcanoes are pretty far away. You have to go to, God knows, Alaska. Or you have to go to the Southern Indies or you have to go to a specific island.
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I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.
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I have been in lots of very intense life situations. I have been shot at, and I have been hungry, and I have been in solitude, and I have also briefly been behind bars. So in a way, I know the heart of men.
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I have not seen a film as powerful, surreal, and frightening in at least a decade unprecedented in the history of cinema.
Werner Herzog