Quote

Look into the eyes of a chicken and you will see real stupidity. It is a kind of bottomless stupidity, a fiendish stupidity. They are the most horrifying, cannibalistic and nightmarish creatures in the world.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Voice Actor
München
Werner Herzog Stipetić
Werner Stipetić
Kind
Chickens
World
Stupidity
Creatures
Eyes
Nightmarish
Eye
Fiendish
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Bottomless
Looks
Horrifying
Real
Chicken

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The world reveals itself to those who travel on foot.
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I shouldn't make movies anymore. I should go to a lunatic asylum.
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Roger Ebert was the last mammoth alive who was holding the flag for real movies and moviemakers.
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You better make yourself acquainted to what the requirements are, what the value of money is all about and how you create a long-term survival, and in many cases it has to do with how you handle finances.
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ِِِِِِِِِِArt house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.
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In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.
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Tourism is sin, and travel on foot virtue.
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If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
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I think I would be a good villain in a James Bond movie.
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Of course, you do not do any research: you have to go there and do your film. It's not that I would travel there before without a camera and spend half a year on one of those volcanoes and then come back with a camera. You have to have some sort of a clear mindset.
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I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.
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Similar thing until today, with digital cameras you look after something like that as robust as they can be.
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At the end [when I speak about] magma under us everywhere, how it's monumentally indifferent to scurrying roaches, recoiled reptiles, and vapid humans alike. You see, you would never hear anything like that in a National Geographic or a PBS movie. This is clearly a transgression when it comes to being politically correct with your commentary.
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People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other's murder.
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The wonderful thing is that Clive [Oppenheimer ] insisted on training his camera - his private camera - on me at one point. We were discussing things such as how to avoid certain dangers, while reflecting on a volcano that had threatened to explode 40 years ago.
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Without dreams we would be cows in a field, and I don't want to live like that. I live my life or I end my life with this project.
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I know for sure that there is only one step from insecticide to genocide.
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Of course, as a German, I wouldn't like to tell the American people how to handle their criminal justice.
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We are not accountants, We are not accountants who do number after number after number of storyboard images, a robot could do it ultimately, but what I'm doing a robot cannot do.
Werner Herzog