Quote

Look into the eyes of a chicken and you will see real stupidity. It is a kind of bottomless stupidity, a fiendish stupidity. They are the most horrifying, cannibalistic and nightmarish creatures in the world.

Werner Herzog

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Werner Herzog
Age: 82
Born: 1942
Born: September 5
Author
Cinematographer
Film Actor
Film Director
Film Editor
Film Producer
Screenwriter
Voice Actor
München
Werner Herzog Stipetić
Werner Stipetić
Eye
Fiendish
Look
Bottomless
Looks
Horrifying
Real
Chicken
Kind
Chickens
World
Stupidity
Creatures
Eyes
Nightmarish

More quotes by Werner Herzog

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English is a really wonderful language and I urge you all to investigate it
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It was a subject [ volcanoes] that was dormant in me for a long time and it popped up 40 years ago when I made a [short] film on the Caribbean island of Guadeloupe about a volcano that was about to explode and a single farmer refused to leave [La Soufrière].
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There's happens to be a volcano in the vicinity and there's some talk about a volcano as well, so that's the title Salt and Fire
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What I do not like, the kind of high-resolution cameras, 4K, 6K, for shooting dialogue, for having faces and close-ups of actors, and you see every single pore in the skin.
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I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.
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Women have a very good sense for seeing instantly what constitutes a good man. Not physically. The physical strength is only a small side of it.
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Tourism is a mortal sin.
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The opinion of the public is sacred. The director is a cook who merely offers different dishes to them and has no right to insist they react in a particular way. A film is just a projection of light, completed only when it crosses the gaze of the audience[...]
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Jack Reacher was easy because the function of the villain was just to spread fear and horror.
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I had complete freedom. They [Netflix] knew roughly what I was doing.
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Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.
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I don't dabble, I'm good at acting.
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Ten years ago in Antarctica shooting Encounters at the End of the World, I met a very fine volcanologist from Cambridge University [Clive Oppenheimer] and we kept talking about doing a film and all of a sudden it became serious when he hinted at the possibility to film in North Korea.
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I have always postulated that we have to find a new way to deal with reality. It's not so much facts that interest me, but a deeper truth in them - an ecstasy of truth, an ecstatic truth that illuminates us. That's what I've been after.
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The internet doesn't have any qualities, technical qualities. It's just fast, reaching out everywhere and so, it can process that and that volume of data flows and so, but it doesn't have any qualities like good or bad or ethical or non-ethical. It's humans, it's us, not the internet.
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I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.
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If you don’t have a deal in two days, you won’t have a deal in two years.
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The paintings are not just on flat walls - you have these enormous niches, bulges and protrusions, as well as stalactites and stalagmites. The effect of the three-dimensionality is phenomenal. It's a real drama which the artists of the time understood, and they used it for the drama of their paintings.
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Only the poets can hold the country together, and I wanted to hold Germany together.
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Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.
Werner Herzog