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being funny is a way of being liked and a way of dealing with sadness.

Wendy Wasserstein

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Wendy Wasserstein
Age: 55 †
Born: 1950
Born: October 18
Died: 2006
Died: January 30
Dramaturge
Playwright
Screenwriter
Brooklyn
New York
Dealing
Sadness
Liked
Humor
Comedy
Funny
Way

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Bruce was a genius, conveniently born on Christmas Eve with, according to my mother, Messiah potential.
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No matter how lonely you get or how many birth announcements you receive, the trick is not to get frightened. There's nothing wrong with being alone.
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Every year I resolve to be a little less the me I know and leave a little room for the me I could be. Every year I make a note not to feel left behind by my friends and family who have managed to change far more than I.
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I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.
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Our lives are not totally random. We make commitments, we cause things to happen.
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Sloth is the fastest-growing lifestyle movement in the world, and that's because it is completely doable. If you embrace sloth, it's the last thing you'll ever have to do again.
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The trick. . .is to find the balance between the bright colors of humor and the serious issues of identity, self-loathing, and the possibility for intimacy and love when it seems no longer possible or, sadder yet, no longer necessary.
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A diet counselor once told me that all overweight people are angry with their mothers and channel their frustrations into overeating. So I guess that means all thin people are happy, calm, and have resolved their Oedipal entanglements.
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The arts reflect profoundly the most democratic credo, the belief in an individual vision or voice . . . The arts' belief in potential gives each of us -- both audience and creator -- pride in our society's ability to nurture individuals.
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I thought I would write something that would make some people uncomfortable. . . . What intrigued me, I think, was the idea of women of my own generation who were successful, intelligent, coming to power and suddenly in the public arena. I started to think about what they are allowed and what they are not allowed.
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The real reason for comedy is to hide the pain.
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The struggle to be considered a grown-up begins, I believe, shortly after birth.
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Work is a way of shutting out ambiguous sentiment.
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Being a grownup means assuming responsibility for yourself, for your children, and - here's the big curve - for your parents.
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The signature of a truly enviable woman is the tenacity and continuity of her women friends.
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anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
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One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.
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to live life as a writer is a very lucky thing.
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Anyone who is considered funny will tell you, sometimes without your even asking, that deep inside they are very serious, neurotic, introspective people.
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No matter how successful I become as a playwright, my mother would be thrilled to hear me tell her that I'd just lost twenty pounds, gotten married and become a lawyer.
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