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I'm perpetually curious as to what happened to all those supposed prodigies who were singled out while I and my coterie of far more interesting malcontents passed on.

Wendy Wasserstein

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Wendy Wasserstein
Age: 55 †
Born: 1950
Born: October 18
Died: 2006
Died: January 30
Dramaturge
Playwright
Screenwriter
Brooklyn
New York
Happened
Malcontents
Interesting
Malcontent
Success
Singled
Prodigies
Perpetually
Passed
Curious
Supposed
Coterie

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The marriages come and go but your friendships stay, which is the opposite of what it used to be, so that there will be people in our lives for 30 years and often it is not your husband, it's your women friends, male friends with whom you come of age.
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The struggle to be considered a grown-up begins, I believe, shortly after birth.
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Sometimes I want to clean up my desk and go out and say, respect me, I'm a respectable grown-up, and other times I just want to jump into a paper bag and shake and bake myself to death.
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The thing I longed for as a teenager is now an object of neglect and scorn. I've grown to hate my telephone.
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I really worked at becoming more assertive, and now none of my friends talk to me.
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to live life as a writer is a very lucky thing.
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I don't much like to think that being a bachelor girl limits how you see the world. On the other hand, I know it certainly limits how the world sees you.
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Sloth is the fastest-growing lifestyle movement in the world, and that's because it is completely doable. If you embrace sloth, it's the last thing you'll ever have to do again.
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I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.
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The signature of a truly enviable woman is the tenacity and continuity of her women friends.
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anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
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As I ramble through life, whatever be my goal, I will unfortunately always keep my eye upon the doughnut and not upon the whole.
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Don't live down to expectations. Go out there and do something remarkable.
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The trick. . .is to find the balance between the bright colors of humor and the serious issues of identity, self-loathing, and the possibility for intimacy and love when it seems no longer possible or, sadder yet, no longer necessary.
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No matter how lonely you get or how many birth announcements you receive, the trick is not to get frightened. There's nothing wrong with being alone.
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The arts reflect profoundly the most democratic credo, the belief in an individual vision or voice . . . The arts' belief in potential gives each of us -- both audience and creator -- pride in our society's ability to nurture individuals.
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One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.
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A diet counselor once told me that all overweight people are angry with their mothers and channel their frustrations into overeating. So I guess that means all thin people are happy, calm, and have resolved their Oedipal entanglements.
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No matter how successful I become as a playwright, my mother would be thrilled to hear me tell her that I'd just lost twenty pounds, gotten married and become a lawyer.
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The real reason for comedy is to hide the pain.
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