Quote

By the time I was six or seven-years-old, I had learned several techniques of how to use my voice and was able to choose the sound I wanted to distinguish myself, so I started writing songs on the piano.

Wendy Starland

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TAGS & TOPICS

Wendy Starland
Age: 43
Born: 1981
Born: February 9
Composer
Jazz Musician
Singer
Singer-Songwriter
Songwriter
New York City
New York
Time
Sound
Piano
Voice
Technique
Use
Six
Song
Seven
Able
Songs
Wanted
Choose
Distinguish
Writing
Learned
Techniques
Years
Started
Several

More quotes by Wendy Starland

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Home is a place from which you can draw strength.
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My strength is in my ability to be versatile.
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Taking constructive criticism from others is required to get to the next level.
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Write great songs that sound amazing if sung and played on the piano or acoustic guitar. Always encourage sing-alongs! Be prolific! Say Yes to new collaborations because you never know where it could lead.
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No matter what you're going through, there is no temporary feeling or circumstance that can take away the core of who you are.
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I have to say one of the lessons I learned is to always be prepared.
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Every artist that becomes famous has a team, and needs to convince someone to believe in them enough to have others rally around them to achieve stardom. If I can be that person, then I am happy to do it.
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Being a songwriter requires versatility while being an artist requires you to create a cohesive body of work. I truly enjoy both.
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In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
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The golden rule would be to write a great, authentic song that is well produced and it will find its home. The audience can feel whether or not the artist is being genuine in their music. It's up to the artist to have the courage to reveal their truth through their songs.
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As a new artist you should ignore trends at all costs.
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If you want to be a songwriter and place a song with a popular artist, then it's ok to follow the trends. This is mainly because many labels are afraid to take big risks on something that sounds too different than the status quo.
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I would describe my style of songwriting as classic. I learned very early on and have stuck to the core principles of song structure regardless of which genre I'm writing in.
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I've collaborated with artists that truly run the gamut: from members of the Wu Tang Clan and Capone, to Moby, Lady Gaga, and opening for artists such as Sheryl Crow, Jack White, and Chris Shiflett of the Foo Fighters, etc.
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Pressure is high and jobs are at stake. There is nothing wrong with having commercial music to pitch for those situations, as well as for ad campaigns.
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Knowing how to market yourself and your press materials is key.
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We're living in a time of so much clutter that has allowed everyone to express themselves at any moment. We have access into people's lives like never before. It's a lot to take in and it's easy to get overwhelmed and swallowed up in it.
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I first got interested in music as a toddler by my childhood babysitter, Rosetta Atkins. She taught me how to sing by imitating the voices on the gospel radio station she listened to - both men and women's voices.
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Music is cyclical and as an artist and songwriter, you need to be able to predict what trend is coming next.
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Social media has been an incredible tool to connect to my fan base, and collaborate with people around the world. Some of my biggest breaks have come through people hearing my music on the Internet and then contacting me through social media.
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