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It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it?
Wayne White
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Wayne White
Age: 104
Born: 1920
Born: November 15
Artist
Cartoonist
Illustrator
Muralist
Painter
Printmaker
Sculptor
University Teacher
Mesa
Arizona
Morton Wayne Thiebaud
Wayne Morton Thiebaud
Understand
Impossibly
Art
Ivory
Stills
Tower
Still
Towers
Matter
Basically
Hard
Horse
Much
Communication
High
More quotes by Wayne White
Static puppets, I wanted them to move, they're looking out the windows, but we didn't have time to rig those. I have more ideas than I can execute also every time that I do anything. I put the puppets in because people love 'em. I'm a populist in that sense.
Wayne White
I'm probably the worst person in the world to give advice to puppeteers. My whole attitude towards puppets from the beginning was not one of love, but it was like anti-puppetry.
Wayne White
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Wayne White
But I think frustration is hilarious. One of my missions is to bring humor into fine art. It's sacred.
Wayne White
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
Wayne White
When I perform I'm very extroverted and I wear my heart on my sleeve and some people don't like that. They're embarrassed for me.
Wayne White
I'm a perfectionist I guess. Everyone has to love me.
Wayne White
No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, Oh Wayne, you're embarrassing yourself. There's always someone like that.
Wayne White
All I'm really concerned with is doing my thing.
Wayne White
I have some sort of performing gene that's just there and I cannot explain it but I want to connect with people through a camera or on a stage. I just can do it. I just have an intuitive sense of it. So I love doing that, I love going into that trance.
Wayne White
Being an artist is a lifestyle.
Wayne White
I've been around Hollywood and filmmaking long enough to know that it's a tricky dangerous business when you go on camera, you got to watch yourself.
Wayne White
Making art is nothing but risk, always. If it's not risk, it's no good.
Wayne White
I am very suspicious of cameras and dramatic interpretations and the whole Hollywood myth-making process. I don't trust it. I've seen it affect people in bad ways.
Wayne White
I hate the whole group of artists who are so hermetic and completely indecipherable on some level and they're all proud of themselves for it. It's like, how obnoxious, how pretentious. And that's part of my mission as an artist is to kick down those people or make fun of that type of high horse attitude.
Wayne White
I had to learn to do stuff only for myself, and stop thinking about pleasing some imaginary client or boss. It's a habit that many artists get into that have worked in commercial ventures.
Wayne White
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
Wayne White
I throw dignity out the window, and just become a creature of the moment on the stage. I act like I'd never act in real life.
Wayne White
As far as I'm concerned, there is no line between high art and pop art, and there should be no line.
Wayne White
When I commit to working with an artist, I give them as much respect as I would like and if I'm not going to commit that way, then I don't want to work with you.
Wayne White