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No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, Oh Wayne, you're embarrassing yourself. There's always someone like that.
Wayne White
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Wayne White
Age: 103
Born: 1920
Born: November 15
Artist
Cartoonist
Illustrator
Muralist
Painter
Printmaker
Sculptor
University Teacher
Mesa
Arizona
Morton Wayne Thiebaud
Wayne Morton Thiebaud
Someone
Embarrassing
Matter
Rolling
Much
Loving
Always
Usually
Like
Eyes
People
Audience
Eye
Woman
Wayne
More quotes by Wayne White
When I perform I'm very extroverted and I wear my heart on my sleeve and some people don't like that. They're embarrassed for me.
Wayne White
Follow your heart, and your pleasure in art. Don’t do what you think is going to be making you money, or what you’re parents want you to do, or what that beautiful girl or guy thinks you should be doing. Do what you love. It’s going to lead to where you want to go. Go out there and make the world more beautiful. I know you can.
Wayne White
I want to communicate. I do every artist does. That's why you're an artist.
Wayne White
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
Wayne White
I'm thankful for the big stuff of course-my family, health, human kindness. But I'm also thankful that I don't have to work for Hollywood anymore.
Wayne White
I'm a sign painter with no boss.
Wayne White
I hate people who act too cool for school. Just own up to it, dude.
Wayne White
Almost all Iraqis with any previous experience in the intelligence business are Sunni Arab, increasing the risk of penetration of the new intelligence apparatus by the insurgency.
Wayne White
If they make the deadline because the Shiites and Kurds essentially rammed a draft through over Sunni Arab objections, there will be hell to pay.
Wayne White
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
Wayne White
It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it?
Wayne White
I practice the artist's golden rule. I wouldn't want somebody telling me how to finish my painting, I'm not going to tell him how to finish his movie or how to shape his movie.
Wayne White
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
Wayne White
When I commit to working with an artist, I give them as much respect as I would like and if I'm not going to commit that way, then I don't want to work with you.
Wayne White
Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure.
Wayne White
Art should be as inclusive as possible. That's why I like bringing the low form of puppetry and elevating it into a sculpture form, but it's still a puppet also.
Wayne White
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Wayne White
Puppets allow a person to express things through this surrogate that wouldn't normally get expressed. You know there's famous techniques of puppet therapists. Put this hand puppet on and tell me what the problem is.
Wayne White
I'm just a mule with blinders on, I can't help myself.
Wayne White
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
Wayne White