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I am very suspicious of cameras and dramatic interpretations and the whole Hollywood myth-making process. I don't trust it. I've seen it affect people in bad ways.
Wayne White
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Wayne White
Age: 104
Born: 1920
Born: November 15
Artist
Cartoonist
Illustrator
Muralist
Painter
Printmaker
Sculptor
University Teacher
Mesa
Arizona
Morton Wayne Thiebaud
Wayne Morton Thiebaud
Ways
Suspicious
Seen
Affect
Making
Interpretation
Process
Dramatic
Whole
Myth
Way
Cameras
People
Hollywood
Trust
Interpretations
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Art should be as inclusive as possible. That's why I like bringing the low form of puppetry and elevating it into a sculpture form, but it's still a puppet also.
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Almost all Iraqis with any previous experience in the intelligence business are Sunni Arab, increasing the risk of penetration of the new intelligence apparatus by the insurgency.
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If they make the deadline because the Shiites and Kurds essentially rammed a draft through over Sunni Arab objections, there will be hell to pay.
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I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
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All I'm really concerned with is doing my thing.
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Making art is nothing but risk, always. If it's not risk, it's no good.
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Artists are people who create beauty. That's the bottom line.
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I'm thankful for the big stuff of course-my family, health, human kindness. But I'm also thankful that I don't have to work for Hollywood anymore.
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It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it?
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When I commit to working with an artist, I give them as much respect as I would like and if I'm not going to commit that way, then I don't want to work with you.
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No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, Oh Wayne, you're embarrassing yourself. There's always someone like that.
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First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
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When we see something beautiful it calls up raw, naked emotion and that's an embarrassing situation to be in.
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Being an artist is a lifestyle.
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When I perform I'm very extroverted and I wear my heart on my sleeve and some people don't like that. They're embarrassed for me.
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Do what you love. It’s going to lead to where you want to go.
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I'm probably the worst person in the world to give advice to puppeteers. My whole attitude towards puppets from the beginning was not one of love, but it was like anti-puppetry.
Wayne White