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Efforts to revive the art principles of the past at best produce works of art that resemble a stillborn child.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Art
Resemble
Past
Efforts
Best
Tradition
Works
Children
Produce
Principles
Effort
Child
Revive

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The more abstract is form, the more clear and direct its appeal.
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Our epoch is a time of tragic collision between matter and spirit and of the downfall of the purely material world view.
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There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
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Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.
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Only just now awakening after years of materialism, our soul is still infected with the despair born of unbelief, of lack of purpose and aim.
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Each period of a civilisation creates an art that is specific in it and which we will never see reborn. To try and revive the principles of art of past centuries can lead only to the production of stillborn works.
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The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.
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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
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Painting took on a fabulous strength and splendor the object was discredited as an indispensable element of the picture.
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The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
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Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.
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The spirit is often concealed within matter to such an extent that few people are generally capable of perceiving it.
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Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
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Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.
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When I was thirteen or fourteen I bought a paintbox with oil paints from money slowly saved up. The feeling I had at the time - or better - the experience of color coming slowly out of the tube - is with me to this day.
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The sensations of colors on the palette can be spiritual experiences.
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Generally speaking, color directly influences the soul.
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Colors produce a spiritual vibration, the impression they create is important only as a step towards this vibration.
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