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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Impact
Finger
Effects
Produces
Produce
Circle
Powerful
Touching
Triangle
Less
Adam
Michelangelo
Power
Circles
Triangles
Fingers
Acute
Effect
Angle

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It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
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Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.
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Only just now awakening after years of materialism, our soul is still infected with the despair born of unbelief, of lack of purpose and aim.
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The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
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Colors produce a spiritual vibration, the impression they create is important only as a step towards this vibration.
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The joy of life consists in the inevitable, continual triumph of new values.
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Color cannot stand alone.
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Generally speaking, color directly influences the soul.
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A world of colors on the palette remaining... wandering... on canvases still emerging.
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The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.
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Today is the great day of one of the revelations of this world. The interrelationships of these individual realms were illumined as by a flash of lightning they burst unexpected, frightening, and joyous out of the darkness. Never were they so strongly tied together and never so sharply divided.
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An empty canvas is a living wonder - far lovelier than certain pictures.
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I really believe that I am the first and only artist to throw not just the 'subject' out of my paintings, but every 'object' as well.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.
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The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.
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Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
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The artist must be blind to distinction between 'recognized' or 'unrecognized' conventions of form, deaf to the transitory teaching and demands of his particular age.
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There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
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In place of an intensive cooperation among artists, there is a battle for goods. Hatred, partisanship, cliques, jealousy, and intrigues are the natural consequences of an aimless, materialist art.
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