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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
Wassily Kandinsky
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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Fingers
Acute
Effect
Angle
Impact
Finger
Effects
Produces
Produce
Circle
Powerful
Touching
Triangle
Less
Adam
Michelangelo
Power
Circles
Triangles
More quotes by Wassily Kandinsky
Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
Wassily Kandinsky
Music is the ultimate teacher.
Wassily Kandinsky
Color is a means to exert a direct influence on the soul.
Wassily Kandinsky
The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
Wassily Kandinsky
Every man who steeps himself in the spiritual possibilities of his heart is a valuable helper in the building of the spiritual pyramid which will someday reach to heaven.
Wassily Kandinsky
… lend your ears to music, open your eyes to painting, and … stop thinking! Just ask yourself whether the work has enabled you to “walk about” into a hitherto unknown world. If the answer is yes, what more do you want?
Wassily Kandinsky
Those [things] that we encounter for the first time immediately have a spiritual effect upon us. A child, for whom every object is new, experiences the world in this way: it sees light, is attracted by it, wants to grasp it, burns its finger in the process, and thus learns fear and respect for the flame.
Wassily Kandinsky
Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.
Wassily Kandinsky
Empty canvas. In appearance - really empty, silent, indifferent. Stunned, almost. In effect - full of tensions, with thousand subdued voices, heavy with expectations. A little frightened because it may be violated
Wassily Kandinsky
The artist must be blind to distinction between 'recognized' or 'unrecognized' conventions of form, deaf to the transitory teaching and demands of his particular age.
Wassily Kandinsky
The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.
Wassily Kandinsky
In the hierarchy of colors, green represents the social middle class, self-satisfied, immovable, narrow.
Wassily Kandinsky
The artist must train not only his eye but also his soul.
Wassily Kandinsky
Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
Wassily Kandinsky
There is no must in art because art is free.
Wassily Kandinsky
Everything starts from a dot.
Wassily Kandinsky
The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.
Wassily Kandinsky
Emotion that I experienced on first seeing the fresh paint come out of the tube.. ..the impression of colours strewn over the palette: of colours - alive, waiting, as yet unseen and hidden in their little tubes...
Wassily Kandinsky
I really believe that I am the first and only artist to throw not just the 'subject' out of my paintings, but every 'object' as well.
Wassily Kandinsky
I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
Wassily Kandinsky