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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Pain
Walls
Desire
Desires
Art
Laws
Around
Wall
Great
Struggle
Effort
Tangled
Break
Organic
Law
Construction

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In the hierarchy of colors, green represents the social middle class, self-satisfied, immovable, narrow.
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Generally speaking, color directly influences the soul.
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Colour is a power which directly influences the soul.
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The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
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Today is the great day of one of the revelations of this world. The interrelationships of these individual realms were illumined as by a flash of lightning they burst unexpected, frightening, and joyous out of the darkness. Never were they so strongly tied together and never so sharply divided.
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Only just now awakening after years of materialism, our soul is still infected with the despair born of unbelief, of lack of purpose and aim.
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It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
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The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
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The composition is the organized sum of the interior functions of every part of the work.
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An empty canvas is a living wonder - far lovelier than certain pictures.
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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past it holds the awakening soul still in its grip.
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Those [things] that we encounter for the first time immediately have a spiritual effect upon us. A child, for whom every object is new, experiences the world in this way: it sees light, is attracted by it, wants to grasp it, burns its finger in the process, and thus learns fear and respect for the flame.
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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
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That is beautiful which is produced by the inner need, which springs from the soul.
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The spirit is often concealed within matter to such an extent that few people are generally capable of perceiving it.
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Every work of art is the child of its time, often it is the mother of our emotions.
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Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.
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It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
Wassily Kandinsky