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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Desire
Desires
Art
Laws
Around
Wall
Great
Struggle
Effort
Tangled
Break
Organic
Law
Construction
Pain
Walls

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The spirit is often concealed within matter to such an extent that few people are generally capable of perceiving it.
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All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
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The sensations of colors on the palette can be spiritual experiences.
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I value those artists who embody the expression of their life.
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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
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Those [things] that we encounter for the first time immediately have a spiritual effect upon us. A child, for whom every object is new, experiences the world in this way: it sees light, is attracted by it, wants to grasp it, burns its finger in the process, and thus learns fear and respect for the flame.
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Generally speaking, color directly influences the soul.
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Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
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The eyes are hammers.
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A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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As a picture painted in yellow always radiates spiritual warmth, or as one in blue has apparently a cooling effect, so green is only boring.
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It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
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Colour is a power which directly influences the soul.
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I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
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Everything that is dead quivers. Not only the things of poetry, stars, moon, wood, flowers, but even a white trouser button glittering out of a puddle in the street... Everything has a secret soul, which is silent more often than it speaks.
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The more abstract is form, the more clear and direct its appeal.
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There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
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