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Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.
Wassily Kandinsky
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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Green
Tedious
Effects
Beneficial
Color
Exhausted
Joy
Lacking
Becomes
Absolutes
Passion
Absolute
Men
Effect
Undertone
Time
Grief
Restful
More quotes by Wassily Kandinsky
I value those artists who embody the expression of their life.
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A world of colors on the palette remaining... wandering... on canvases still emerging.
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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
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In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
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In every painting a whole is mysteriously enclosed, a whole life of tortures, doubts, of hours of enthusiasm and inspiration.
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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.
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The composition is the organized sum of the interior functions of every part of the work.
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It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
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In place of an intensive cooperation among artists, there is a battle for goods. Hatred, partisanship, cliques, jealousy, and intrigues are the natural consequences of an aimless, materialist art.
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It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
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Objects damage pictures.
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Doubts must be resolved alone within the soul. Otherwise one would profane one's own powerful solution.
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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past it holds the awakening soul still in its grip.
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The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.
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To create a work of art is to create the world.
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As a picture painted in yellow always radiates spiritual warmth, or as one in blue has apparently a cooling effect, so green is only boring.
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Every work of art is the child of its time, often it is the mother of our emotions.
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Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
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I let myself go. I thought little of the houses and trees, but applied colour stripes and spots to the canva... Within me sounded the memory of early evening in Moscow, before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.
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