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The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Soul
Artistic
Must
Thus
Train
Determinant
Creation
Colours
Eye
Weigh
Artist
Scale
Become
Colour
Also
Scales

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A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
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The force that propels the human spirit on the clear way forward and upward is the abstract spirit.
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It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
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Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.
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Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
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Each color lives by its mysterious life.
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Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.
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Everything starts from a dot.
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Orange is red brought nearer to humanity by yellow.
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It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
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The composition is the organized sum of the interior functions of every part of the work.
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Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
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There is no must in art because art is free.
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… lend your ears to music, open your eyes to painting, and … stop thinking! Just ask yourself whether the work has enabled you to “walk about” into a hitherto unknown world. If the answer is yes, what more do you want?
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The sensations of colors on the palette can be spiritual experiences.
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In the hierarchy of colors, green represents the social middle class, self-satisfied, immovable, narrow.
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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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Generally speaking, color directly influences the soul.
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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.
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The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.
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