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The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
Wassily Kandinsky
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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Must
Thus
Train
Determinant
Creation
Colours
Eye
Weigh
Artist
Scale
Become
Colour
Also
Scales
Soul
Artistic
More quotes by Wassily Kandinsky
Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.
Wassily Kandinsky
It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
Wassily Kandinsky
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
Wassily Kandinsky
The spirit, like the body, can be strengthened and developed by frequent exercise. Just as the body, if neglected, grows weaker and finally impotent, so the spirit perishes if untended.
Wassily Kandinsky
In place of an intensive cooperation among artists, there is a battle for goods. Hatred, partisanship, cliques, jealousy, and intrigues are the natural consequences of an aimless, materialist art.
Wassily Kandinsky
The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
Wassily Kandinsky
Generally speaking, color directly influences the soul.
Wassily Kandinsky
The artist is the hand that, by touching this or that key, sets the soul vibrating automatically.
Wassily Kandinsky
The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.
Wassily Kandinsky
The composition is the organized sum of the interior functions of every part of the work.
Wassily Kandinsky
Barriers are continually being made out of... new values which have overturned the barriers of the past. Thus one sees that it is not basically the new value that is of prime importance, but rather the spirit that is revealed in this value, as well as the freedom necessary for this revelation.
Wassily Kandinsky
The artist is not a 'Sunday child' for whom everything immediately succeeds. He does not have the right to live without duty. The task that is assigned to him is painful, it is a heavy cross for him to bear.
Wassily Kandinsky
Empty canvas. In appearance - really empty, silent, indifferent. Stunned, almost. In effect - full of tensions, with thousand subdued voices, heavy with expectations. A little frightened because it may be violated
Wassily Kandinsky
A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
Wassily Kandinsky
Every artist, as child of his age, is impelled to express the spirit of his age.
Wassily Kandinsky
In every painting a whole is mysteriously enclosed, a whole life of tortures, doubts, of hours of enthusiasm and inspiration.
Wassily Kandinsky
Each color lives by its mysterious life.
Wassily Kandinsky
Emotion that I experienced on first seeing the fresh paint come out of the tube.. ..the impression of colours strewn over the palette: of colours - alive, waiting, as yet unseen and hidden in their little tubes...
Wassily Kandinsky
That is beautiful which is produced by the inner need, which springs from the soul.
Wassily Kandinsky
The observer must learn to look at the picture as a graphic representation of a mood and not as a representation of objects.
Wassily Kandinsky