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I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
Wassily Kandinsky
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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Colors
Intensity
Blobs
Onto
Streaks
Sing
Palette
Color
Knife
Made
Applied
Knives
Canvas
More quotes by Wassily Kandinsky
Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
Wassily Kandinsky
Colour is a power which directly influences the soul.
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Our epoch is a time of tragic collision between matter and spirit and of the downfall of the purely material world view.
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The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
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Music is the ultimate teacher.
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The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
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Abstract art places a new world, which on the surface has nothing to do with 'reality,' next to the 'real' world.
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The composition is the organized sum of the interior functions of every part of the work.
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The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.
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The arts are encroaching one upon another, and from a proper use of this encroachment will rise the art that is truly monumental.
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The observer must learn to look at the picture as a graphic representation of a mood and not as a representation of objects.
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Everything starts from a dot.
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It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
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There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
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A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.
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All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
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The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.
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The artist must train not only his eye but also his soul.
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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.
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Color transmits and translates emotion.
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