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The eyes are hammers.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Eyes
Eye
Hammers

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Every man who steeps himself in the spiritual possibilities of his heart is a valuable helper in the building of the spiritual pyramid which will someday reach to heaven.
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In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
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In every painting a whole is mysteriously enclosed, a whole life of tortures, doubts, of hours of enthusiasm and inspiration.
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I value those artists who embody the expression of their life.
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A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.
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Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.
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Orange is red brought nearer to humanity by yellow.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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The artist must be blind to distinction between 'recognized' or 'unrecognized' conventions of form, deaf to the transitory teaching and demands of his particular age.
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The organic laws of construction tangled me in my desires, and only with great pain, effort, and struggle did I break through these 'walls around art.
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The force that propels the human spirit on the clear way forward and upward is the abstract spirit.
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Today is the great day of one of the revelations of this world. The interrelationships of these individual realms were illumined as by a flash of lightning they burst unexpected, frightening, and joyous out of the darkness. Never were they so strongly tied together and never so sharply divided.
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The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.
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A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
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The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
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The more abstract is form, the more clear and direct its appeal.
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Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
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Color provokes a psychic vibration. Color hides a power still unknown but real, which acts on every part of the human body.
Wassily Kandinsky
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Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.
Wassily Kandinsky