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… lend your ears to music, open your eyes to painting, and … stop thinking! Just ask yourself whether the work has enabled you to “walk about” into a hitherto unknown world. If the answer is yes, what more do you want?
Wassily Kandinsky
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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Eye
Painting
Hitherto
Music
Walks
Enabled
Work
Answers
Lend
Thinking
Stop
Unknown
World
Open
Inspiring
Eyes
Ears
Asks
Answer
Whether
Walk
More quotes by Wassily Kandinsky
That is beautiful which is produced by the inner need, which springs from the soul.
Wassily Kandinsky
In your works, you have realized what I, albeit in uncertain form, have so greatly longed for in music. The independent progress through their own destinies, the independent life of the individual voices in your compositions, is exactly what I am trying to find in my painting.
Wassily Kandinsky
Every phenomenon can be experienced in two ways. These two ways are not arbitrary, but are bound up with the phenomenon – developing out of its nature and characteristics : Externally – or – inwardly.
Wassily Kandinsky
The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
Wassily Kandinsky
Orange is red brought nearer to humanity by yellow.
Wassily Kandinsky
The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.
Wassily Kandinsky
In the hierarchy of colors, green represents the social middle class, self-satisfied, immovable, narrow.
Wassily Kandinsky
It should not be forgotten that art is not a science where the latest 'correct' theory declares the old to be false and erases it.
Wassily Kandinsky
Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
Wassily Kandinsky
The word compositon moved me spiritually and I made it my aim in life to paint a composition. It affected me like a prayer and filled me with awe.
Wassily Kandinsky
Painting took on a fabulous strength and splendor the object was discredited as an indispensable element of the picture.
Wassily Kandinsky
Objects damage pictures.
Wassily Kandinsky
Everything that is dead quivers. Not only the things of poetry, stars, moon, wood, flowers, but even a white trouser button glittering out of a puddle in the street... Everything has a secret soul, which is silent more often than it speaks.
Wassily Kandinsky
A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.
Wassily Kandinsky
I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.
Wassily Kandinsky
As a picture painted in yellow always radiates spiritual warmth, or as one in blue has apparently a cooling effect, so green is only boring.
Wassily Kandinsky
Each color lives by its mysterious life.
Wassily Kandinsky
In their pursuit of the same supreme end, Matisse and Picasso stand side by side, Matisse representing color and Picasso form.
Wassily Kandinsky
Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated.
Wassily Kandinsky
An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
Wassily Kandinsky