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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past it holds the awakening soul still in its grip.

Wassily Kandinsky

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Wassily Kandinsky
Age: 77 †
Born: 1866
Born: January 1
Died: 1944
Died: January 1
Art Theorist
Artist
Graphic Artist
Illustrator
Lawyer
Painter
Printmaker
Teacher
University Teacher
Visual Artist
Moscow
Russian SFSR
Wassily Wassiljewitsch Kandinsky
Vasili Vasilevich Kandinsky
Vasilii Vasilevich Kandinskii
Vasily Vasil'yevich Kandinsky
Vasilij Kandinski
Vasilij Vasil'evic Kandinskij
Vasily Kandinsky
Vasilij Kandinskij
Vasily. Kandinsky
Vasilij Vasil'evič Kandinskij
Wassili Kandinsky
Wassily Wassilyevich Kandinsky
Vasili Vasileevich Kandinsky
Vasilĭ
Soul
Turned
Life
Game
Games
Grip
Evil
Materialism
Universe
Awakening
Past
Nightmare
Stills
Holds
Still
Useless

More quotes by Wassily Kandinsky

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The world is full of resonances. It constitutes a cosmos of things exerting a spiritual action. The dead matter is a living spirit.
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Color is the keyboard. The eye is the hammer. The soul is the piano, with its many strings.
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An empty canvas, apparently really empty, that says nothing and is without significance – almost dull, in fact – in reality, is crammed with thousands of undertone tensions and full of expectancy. Slightly apprehensive lest it should be outraged.
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Every man who steeps himself in the spiritual possibilities of his heart is a valuable helper in the building of the spiritual pyramid which will someday reach to heaven.
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Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.
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The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
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The life of the spirit may be fairly represented in diagram as a large acute-angled triangle divided horizontally into unequal parts with the narrowest segment uppermost. The lower the segment the greater it is in breadth, depth, and area.
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The impact of the acute angle of a triangle on a circle produces an effect no less powerful than the finger of God touching the finger of Adam in Michelangelo.
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Painting took on a fabulous strength and splendor the object was discredited as an indispensable element of the picture.
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The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms, it points most clearly to the fourth dimension.
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Almost without exception, blue refers to the domain of abstraction and immateriality.
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Everything shows me its face, its innermost being, its secret soul, which is more often silent than heard.
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The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual and inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life.
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Generally speaking, color directly influences the soul.
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The observer must learn to look at the picture as a graphic representation of a mood and not as a representation of objects.
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Color provokes a psychic vibration. Color hides a power still unknown but real, which acts on every part of the human body.
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The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
Wassily Kandinsky
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Today is the great day of one of the revelations of this world. The interrelationships of these individual realms were illumined as by a flash of lightning they burst unexpected, frightening, and joyous out of the darkness. Never were they so strongly tied together and never so sharply divided.
Wassily Kandinsky
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There is only one road to follow, that of analysis of the basic elements in order to arrive ultimately at an adequate graphic expression.
Wassily Kandinsky
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The composition is the organized sum of the interior functions of every part of the work.
Wassily Kandinsky